Vol. 7 No. 2 (2020): July-December 2020

บรรณาธิการแถลง | Editorial

• Editorial

  4

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บทความวิจัย | Research Article

• A Musical Analysis of Johann Sebastian Bach's Cello Suite No.2

  Kotchapak Boonviparut, Narongrit Dhamabutra

  12-25

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• Olek Nabi: Music Ritual of Sufi Muslim in Middle Part of Thailand

  Jackapong Klinkaeo, Manop Wisuttipat, Surasak Jamnongsarn

  26-39

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• Dynamics Brought by Changes from Canon of Thai Traditional Music to Thai Contemporary Music

  Nachaya Natchanawakul

  40-53

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• An Analysis and Technique of Concerto for Horn

  Nattaporn Na Chiangmai, Sasi Pongsarayuth

  54-65

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• A Classical Guitar Recital by Tanist Saengwichai

  Tanist Saengwichai, Panjai Chulapan

  66-76

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• Love, Obsession, Revenge (LOR) as a Bridge between Cultural Diversity: The Case Study of Thai and Canadian Cultures

  Nawarit Rittiyotee, Vijjuta Vudhaditya

  77-88

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• A Study of the Characteristics of Knowledge Transfer and Being the Dance Artist of Narapong Charassri

  Montira Manorin, Dhanakorn Chandnasaro, Piyawadee Makpa

  89-102

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• Thai Music Transmission of Princess Sopar Pengpum (Na Chiang Mai)

  Ratchada Khattisa, Patarawdee Puchadapirom

  103-117

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• The Creation of Contemporary Thai Art Works from Images of Mural Painting of Si Mongkhon Temple, Lom Kao District, Phetchabun Province

  Ruetaitip Rattanapan

  118-133

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• An Analysis of Characteristics of the Principal Melodies of Cherd-jeen

  Waraporn Cherdchoo

  134-150

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• Technology Tools for Songwriter and Composer

  Sit Kesjamras

  151-163

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• Graphic Design by Anti-Realism Concept for Creative District: A Case of Charoenkrung District

  Saran Tangtrongsit, Suppakorn Disatapundhu

  164-178

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บทความวิชาการ | Academic Article

• The Evolution of Trumpet before the Common Era

  Pornsawan Chantawong, Nanthakorn Ponglertwut

  180-191

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• Gamification Approach in Packge Design

  Wilai Asawadechsakdi

  192-212

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• Instructions for the authors

  213-222

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