Vol. 12 No. 2 (2025): July-December 2025

บรรณาธิการแถลง | Editorial

• Editorial

  4-5

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บทความวิจัย | Research Article

• ARTISTIC RESEARCH PROCESS IN “ART PHOTOGRAPHY: PARALLEL MEMORY AND LANDSCAPE IN CHIANG MAI"

  SINEENARD CHAROENSRI, KAMOL PHAOSAVASDI

  13-25

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• J.S. BACH'S SUITE NO.1 FOR SOLO CELLO, APPLYING BAROQUE CELLO TECHNIQUES TO INTERPRETATION

  APICHAI LEAMTHONG, WIBOON TRAKULHUN

  26-38

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• ANALYSIS OF MEMORY OBJECTS IN MIXED MEDIA PAINTING: TRACES OF MY MOTHER AND I

  NATIMA SUWANNAWONG, KAMOL PHAOSAVASDI, KITSIRIN KITISAKON

  39-54

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• VOCAL RECITAL BY PATHITAT CHANTHANAKORN: CLASSICAL AND MUSICAL THEATRE REPERTOIRE

  PATHITAT CHANTANAKORN, KITTINANT CHINSAMRAN

  55-68

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• FOLKLORE INFORMATION ON THE BELIEF IN KHWAN LEADING TO THE CREATION OF THE CONTEMPORARY DANCE SERIES “KHWAN”

  PREYAPORN PHATCHANI, ATSADAWOOT SRITHON

  69-85

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• ECLIPSE: THE CURATORIAL WORK OF CONTEMPORARY THAI FOLK BRASS BAND PERFORMANCE

  KHAJITTAM PHATTAYAKUL, KAMOL PHAOSAVASDI, PORNPRAPIT PHOASAVADI

  86-100

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• THAI DANCE CHOREOGRAPHY: SUWANMALEE AND SINSAMUT DRESSED FOR BATTLE

  PARINYAWAT THANATHANANTHORN, JINTANA SAITHORGKAM

  101-116

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• ROLES AND DEVELOPMENT OF SECOND VIOLIN IN HAYDN: STRING QUARTET OP. 17, NO. 6 AND STRING QUARTET OP.76, NO. 3

  YANISA SRIROJANUN, NATCHAR PANCHAROEN

  117-132

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• MASTER MUSIC COMPOSITION “VAYO” FOR ORCHESTRA

  SIAM CHAMCHOY, NARONGRIT DHAMBUTRA

  133-146

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• THAI-CHINESE SYMBOLS: SYNTHESIZING BELIEFS IN FINE ARTS DURING THE REIGN OF KING RAMA III TO THE CREATION OF PRINTS “AUSPICIOUS” SERIES

  PRATIMA TUNYABOONTRAKUN

  147-166

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บทความวิชาการ | Academic Article

• Is It Really Simple to Play Ching?

  NITIPONG KHAIROO

  168-185

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• THE ARTISTIC SOUND OF “TONE CHATRI AND KLONG CHATRI”: THE MUSICAL LEGACY OF BAN RUANGNON

  BOONSUEB RUANGNON , TEEKAPAT SONTINUCH

  186-202

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• INSTRUCTIONS FOR THE AUTHORS

  203-214

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