Vol. 13 No. 2 (2026): July-December 2026

บรรณาธิการแถลง | Editorial

• Editorial

  3

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บทความวิจัย | Research Article

• NEURO DESIGN PRINCIPLES IN DESIGNING ILLUSTRATIONS FOR COMMUNICATING ACADEMIC CONTENT TO UNDERGRADUATE STUDENTS

  PLOY NIKADANONT, PERMSAK SUWANNATAT

  11-28

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• A CREATIVE WORK, THANG DIEW KHIM IN KHAEK SAI SONG THONBURI SIDE

  SUWIWAN LIMPACHAI

  29-44

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• THE DEVELOPMENT OF AN INNOVATION FOR THE TRANSMISSION OF ADVANCED JAKHAY SOLO PERFORMANCE SKILLS IN THE HOM HUAN SAM CHAN

  THITI TASANAKULWONG

  45-60

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• DOCTORAL CREATIVE MUSIC PERFORMANCE: THE INNOVATIVE APPROACH OF THE MODERN PIANO CHAMBER

  KRITIN SUTHAMCHAI, WEERACHAT PREMANANDA, TONGSUANG ISRANGKUN NA AYUDHYA

  61-74

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• TECHNIQUES AND INTERPRETATIONS OF TWO-PIANO LITERATURE IN CONTEMPORARY PERSPECTIVES ON MODERN PIANO

  RAVISARA SORATANA, WEERACHAT PREMANANDA, TONGSUANG ISRANGKUN NA AYUDHYA

  75-90

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• MUSIC COMPOSITION: “STEPS TO NIRVANA” FOR JAZZ ENSEMBLE

  ITTISAK PANYAYAI, NARONGRIT DHAMBUTRA

  91-105

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• MUSIC OF RESILIENCE: THE SYMBOLIC MEANING OF DEFIANCE IN DMITRI SHOSTAKOVICH'S CELLO CONCERTO NO. 1

  NUTTANON GOOGIETGARN, SASI PONGSARAYUTH

  106-117

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• A SYSTEMATIC APPROACH TO PIANO PRACTICE AND BRAZILIAN MUSICAL IDENTITY IN HEITOR VILLA-LOBOS’S VALSA DA DOR (1932)

  PAULO RICARDO SOARES ZEREU

  118-129

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• MUSIC IDENTITY OF JAKHAY THANG PHUEN MELODIES BY KHRU NIPA APHAIWONG

  THITIPONG RATCHAWONG, KUMKOM PORNPRASIT

  130-147

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บทความวิชาการ | Academic Article

• GUARDIAN DEITIES OF SAKHON BURI CITY: CARVED WOODEN TABLETS AT PUN TAO KONG SHRINE OF THA CHALOM COMMUNITY SAMUT SAKHON PROVINCE

  PRAPHAT CHUVICHEAN

  149-168

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• THE TWELVE SISTERS: A REPRESENTATION OF ORAL TRADITIONAL MUSIC ADAPTED INTO TELEVISION SERIES

  PRACHYA BOONMASOONGSONG, SATTHA JANTAMANEECHOTE

  169-182

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• GUIDELINES FOR CELLO INTERPRETATION IN “KHRUAN FANG KHONG RHAPSODY” FROM THE CREATIVE PROJECT “THAI TRACES 2”

  APICHAI LEAMTHONG

  183-196

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• Instructions for Authors

  197-209

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