DOCTORAL CREATIVE MUSIC PERFORMANCE: THE INNOVATIVE APPROACH OF THE MODERN PIANO CHAMBER

Authors

  • KRITIN SUTHAMCHAI Doctoral student, Doctor of Fine and Applied Arts Program, Department of Western Music, Faculty of Fine and Applied Arts, Chulalongkorn University
  • WEERACHAT PREMANANDA Professor Dr., Department of Western Music, Faculty of Fine and Applied Arts, Chulalongkorn University
  • TONGSUANG ISRANGKUN NA AYUDHYA Professor, Department of Western Music, Faculty of Fine and Applied Arts, Chulalongkorn University

Keywords:

Piano chamber, Piano concerto, Piano duo, Piano ensemble

Abstract

Piano performance is an important and diverse art form in the world of music, especially piano chamber referred to the use of more than one piano played simultaneously or a piano played in combination with at least one other type of musical instrument. This creative music research aims: 1) to collect data on compositions in performances, such as the history of the compositions and the history of the composers, 2) to develop the potential of performers in various aspects of piano performances, such as compositions interpretation and techniques for performing piano chamber pieces, 3) to disseminate important piano chamber compositions by composers in the Baroque era, Classical era and Romantic era for those interested, and 4) to promote the piano chamber performances of unique performers to  the international level. The researcher has selected chamber piano compositions according to the type of pianos used in the performances which are famous and important to literature in contemporary periods. The compositions are analyzed, interpreted, and used for piano practice. There are altogether 3 concerts in the series titled “DOCTORAL CREATIVE MUSIC PERFORMANCE: THE INNOVATIVE APPROACH OF THE MODERN PIANO CHAMBER.” The researcher gathered information from documents, textbooks, and related research and presented it in the form of an academic article by highlighting 3 musical works: 1) Piano Concerto in A minor, Op. 54 by Robert Schumann, 2) Variations on a Theme by Haydn for Two Pianos, Op. 56b by Johannes Brahms, and 3) Concerto for Three Harpsichords in D minor, BWV 1063 by Johann Sebastian Bach.

References

ณัชชา พันธุ์เจริญ. (2564). พจนานุกรมศัพท์ดุริยางคศิลป์. พิมพ์ครั้งที่ 5. สำนักพิมพ์เกศกะรัต.

ปานใจ จุฬาพันธุ์. (2551). วรรณกรรมเพลงเปียโน 2. สำนักพิมพ์แห่งจุฬาลงกรณ์มหาวิทยาลัย.

Hofmann, J. (1976). Piano Playing with Piano Questions Answered. Dover Publications.

Mangum, J. (2024). Piano Concerto in A Minor, Op. 54. https://www.laphil.com/musicdb/pieces/2707/piano-concerto-in-a-minor-op-54.

Rodda, R. E. (2009) Program Note for National Symphony Orchestra: Kurt Masur, Conductor/All-Brahms Program, April 9–11, 2009. National Symphony Orchestra.

Slonimsky, N. (1992). Baker’s Biographical Dictionary of Musicians. 8th ed. G. Schirmer.

Downloads

Published

2026-10-02

Issue

Section

บทความวิจัย | Research Article