Vol. 10 No. 2 (2023): July-December 2023

บรรณาธิการแถลง | Editorial

• EDITORIAL

  4

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บทความวิจัย | Research Article

• CONCEPTAUL FRAMEWORK FOR ENVIRONMENTAL GRAPHIC DESIGN IN CO-WORKING SPACE USING THE BIOPHILIA CONCEPT FOR GENERATION Y

  SASIKARN NARTKOSAR, PERMSAK SUWANNATAT, SUPPAKORN DISATAPUNDHU

  13-32

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• THE CREATIVE COMPOSITION FOR THAI STRING ENSEMBLE DEVELOPED FROM BOWED STRINGED INSTRUMENT’S MUSICAL TECHNIQUES

  SOMPHOP KHIEOMANI, SUPUNNEE LEUABOONSHOO, DUSSADEE MEEPOM

  33-47

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• DEVELOPMENT OF DRAMA ACTIVITIES FOR ONLINE GAMES LITERACY IN THE 21ST CENTURY

  NICHAPA CHANLAR, PORAWAN PATTAYANON, NOPPADOL INCHAN

  48-63

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• A STUDY OF PUPPET THEATER TO DEVELOPMENT INHIBITORY CONTROL, EXECUTIVE FUNCTIONS SKILL OF KINDERGARTEN, WATKLANG SCHOOL

  PHUSANISA SAIBUA, PORAWAN PATTAYANON

  64-76

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• GRAPHIC DESIGN FOR THE IDENTITY OF SONGKHLA OLD TOWN

  PHONGSATHORN KHRUEAFA, ARAYA SRIKANLAYANABUTH

  77-104

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• THE CREATION OF PII NAI RAUNG TA YAE SONG IN THE WAY OF TEACHER PEEP KONGLAITHONG

  PATTARA KOMKUM

  105-119

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• A CREATION OF THE NEW MUSIC COMPOSITION OF THE PI IN MANGKHALA FOLK MUSIC ENSEMBLE: MANGKHALAPHERI SAINATHIWITHILILA

  WARAPORN CHERDCHOO

  120-139

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• CONCERTO FOR PERCUSSION TRIO

  PEERANAT SAISANEA, NARONGRIT DHAMABUTRA

  140-157

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• COSMOPOLITANISM GRAPHIC DESIGN TO TRANSFORM NON-PLACE

  JANAT THIENGSURIN, ARAYA SRIKALAYANABUTRA

  158-178

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• DECORATIVE ORNAMENTS OF PAINTINGS AND SCULPTURES IN CHAO PHRAYA ABHAIBHUBEJHR BUILDING

  BURACHALERM YOMNAGE, JEERAWAN SANGPETCH

  179-197

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• IDEA CONCERNING TO BEING THAI CULTURE AND THAINESS FROM PRINCE DAMRONG RAJANUBHAB’S WORKS ON THAI CLASSICAL MUSIC AND THE DEVELOPMENT OF THAI CULTURE AND THAINESS (1959-1988)

  PATARAWDEE PUCHADAPIROM

  198-212

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• GUIDELINES FOR THE STUDY OF THAI CLASSICAL DANCE AND THE TREATMENT OF FORWARD HEAD POSTURE FROM USING BEHAVIOR SMARTPHONES IN THAI YOUTH

  JARIYAWADEE SARASRI, PIYAWADEE MAKPA, SANTHANEE KHRUAKHORN

  213-228

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• GRAPHIC DESIGN ON PACKAGING GUIDELINES FOR AGRITOURISM BY USING WABI SABI CONCEPT

  JANENUTCH SODSAI, WILAI ASAWADECHSAKDI, PAWIN BUNNAG

  229-251

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• FROM DEATH TO MEANINGLESSNESS IN PERFORMANCE ART: IMPERSONAL DESIRES

  NUTTAWAT SITTI, KAMOL PHAOSAVASDI, KASEM PHENPINANT

  252-267

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• THAI COMPOSITIONS WITH THE CULTURAL-MELODIC ASPECT OF THE HAE RUA

  SIRILAK CHALONGTHAM, DUSSADEE MEEPOM, SUPUNNEE LEUABOONSHOO

  268-281

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บทความวิชาการ | Academic Article

• GILDED LACQUERED BUDDHIST MANUSCRIPT CABINET OF WAT BAN KAO: ART AND INSCRIPTION OF RAYONG RIVER BASIN IN EARLY RATTANAKOSIN PERIOD

  PRAPHAT CHUVICHEAN

  283-299

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• INSTRUCTIONS FOR THE AUTHORS

  300-310

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