Vol. 9 No. 2 (2022): July-December 2022

บรรณาธิการแถลง | Editorial

• EDITORIAL

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บทความวิจัย | Research Article

• MAKING PROCESS OF RANAD EK BY KRU CHALOW JAICHAN

  WOOTHIPONG THOWLADDA, PATTARA KOMKAM

  12-26

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• THE TRANSMISSION OF LUK KRUNG SINGING BY CHOMCHAY ARUNCHAN

  PAWARIN PHANKUM, NACHAYA NACHANAWAKUL, PREEYANUN PROMSUKKUL

  27-39

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• THE DEVELOPMENT OF MUSIC ACTIVITIES FOR IMPROVING SOCIAL SKILLS IN CHILDREN WITH AUTISM

  NUTTIKA SOONTORNTANAPHOL

  40-58

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• DEVELOPMENT OF A PIPING KHLUI PHIANG AW SKILL FORM NOTES READING IN EXERCISE

  APINAN JULLADIT, PRAMOT TEANGTRONG

  59-71

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• THE STUDY OF A HISTORICAL JOURNEY FOR THAI MUSIC COMPOSITIONAL PROCESS : THE JOURNEY OF SHEIK AHMAD FROM PERSIA TO AYUTTHAYA

  WONGWASANT WASANTASURI, PORNPRAPIT PHOASAVADI, PAKORN RODCHANGPHUEN

  72-91

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• THE CREATION OF A DANCE “NATHALEELA BUJA PHRAPATHOM”

  PAKAPAWN HOMNAN

  92-104

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• THE CREATION OF A DANCE FROM THE INTERPRETATION OF “SEVEN DEADLY SINS” IN THAI SOCIETY

  KANITTHA BUTRACHAROEN, NARAPHONG CHARASSRI

  105-119

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• THE SAW TROUPE "DAO RUNG CHIANG MAI": HISTORY AND DEVELOPMENT OF SAW PERFORMANCE

  KHANITHEP PITUPUMNAK

  120-133

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• THE FEMALE DANCERS PERFORMING MALE CHARACTERS IN THAI CLASSICAL DANCE

  SUPAVADEE POTIWETCHAKUL, SAVAPARR VECHSURUCK

  134-150

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• PERFORMANCE PRACTICE AND INTERPRETATION ON EPISODES NO 1-3 FOR TIMPANI BY PAOPUN AMNATHAM

  SURADECH SRIWAREERAT, SASI PONGSARAYUTH

  151-165

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• PERSPECTIVE AND DEVELOPMENT OF MURAL PAINTINGS IN REIGN OF KING RAMA 4-5

  JANEJIRA SOPHON, JEERAWAN SANGPETCH

  166-184

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บทความวิชาการ | Academic Article

• ONLINE BALLET TECHNIQUE, DANCE REPERTOIRE, AND SPANISH DANCE EDUCATION IN THE TIME OF COVID-19 PANDEMIC

  KWANKAEW KITCHAROEN

  186-199

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• MUSIC COMPOSITION “WOO” FOR STRING ORCHESTRA: THAI–KOREAN MUSIC CULTURAL HYBRIDITY

  ONUSA NONGTRUD

  200-212

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บทความปริทัศน์ | Review Article

• THAO SURANAREE MONUMENT: POLITICAL LEGACY OF THE PEOPLE’S PARTY?

  KRISANA HONGUTEN

  214-232

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• INSTRUCTIONS FOR THE AUTHORS

  234-243

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