Phenoomena of Power :An Analysis Of Sakarin Krue-On s Contemporary Artworks
Keywords:
Sakarin Krue-On, The Memorial of Awakening Era, A Talebearer’s Tale: The Last Deer, Upside Down, Sugar BodhisattvaAbstract
This article presents an analysis of Sakarin Krue-On’s artwork exhibited in “Solo Exhibition” at Tang Contemporary Art, China in 2018. His display was composed of four art pieces: “The Memorial of Awakening Era”, “A Talebearer’s Tale: The Last Deer”, “Upside Down” and “Sugar Bodhisattva” respectively.
An analysis found that the four art pieces have reflected upon the concept of worldly value, power and human occupation. Sakarin had emphasized on media selection and careful landscape exploration in both physical and historical terms, creating meaningful messages in consistent with the meticulously crafted art pieces. His art pieces were distinctive for object and environmental simulation, evoking the notion of simile interpretation and creating layers of meaning.
Published
How to Cite
Issue
Section
License
Articles published in the Silpa Bhirasri Journal are copyrighted by both the journal and the author. The public can republish under the terms of the Creative Commons License Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. (CC BY-NC-ND 4.0) and require attribution rights, non-commercial and non-modified.
The journal's editorial team does not have to agree with the views and comments in the author's article, nor are they responsible for the comments.
