Vol. 8 No. 2 (2021): July-December 2021

บรรณาธิการแถลง | Editorial

• EDITORIAL

  4

  • PDF

บทความวิจัย | Research Article

• SEMIOTIC INTERPRETATION OF NARAPHONG CHARASSRI’S CONTEMPORARY DANCE

  CHALALAI VONGAREE, VIJJUTA VUDHADITYA

  12-25

  • PDF

• THE DEVELOPMENT OF GAME FOR CULTURAL TOURISM BY USING GAMIFICATION CONCEPT: NAN PROVINCE

  NATTAKAMOL TOONGSUWAN, SUPPAKORN DISATAPUNDHU

  26-42

  • PDF

• A VOCAL RECITAL BY SARIN BOONCHUAY

  SARIN BOONCHUAY, DUANGJAI THEWTONG

  43-54

  • PDF

• THE CREATION OF READY-TO-WEAR PRODUCTS USING MAGIC PATTERN TECHNIQUES FOR THE ELDERLY FASHION THAI MARKET

  DHEA KHOTRADHA

  55-70

  • PDF

• MUSIC COMPOSITION: “TRILAKSANA” FOR ORCHESTRA

  CHINNAPAT CHAROENRAT, NARONGRIT DHAMABUTRA

  71-80

  • PDF

• BUDDHA IMAGES: ART RELATIONS AND METAMORPHOSIS OF PHRA SRI SAKKAYA THOTSAPHALAYAN PRATARN PHUTTHAMONTHON SUTHAT

  TINNAPAT PEAMJEAK, JEERAWAN SANGPETCH

  81-100

  • PDF

• THE BAND OF BANG KHUN PHROM PALACE FROM GRAMOPHONE RECORDS

  VASSAKAROK KAEWLOY

  101-119

  • PDF

• EVOLUTION THROUGH INSPIRATION OF KHMER DECORATIVE PATTERN FOR CONTEMPORARY ART IN BURIRAM PROVINCE THAILAND

  THIPPAYAPORN THONGCHAM, JEERAWAN SANGPETCH

  120-136

  • PDF

• LIKE MINDS IN VARIATIONS: JOHANNES BRAHMS’S VARIATIONS ON A THEME BY ROBERT SCHUMANN, OP. 9

  ERI NAKAGAWA

  137-152

  • PDF

บทความวิชาการ | Academic Article

• MEANING AND PATTERN OF THE HMONG BATIK MAE SA NOI VILLAGE PONG YAENG SUBDISTRICT, MAE RIM DISTRICT, CHIANG MAI PROVINCE

  PIYACHAT UDOMSRI

  154-167

  • PDF

• CHING MU LONG: TRADITIONAL THAI MUSIC PHENOMENOLOGY AND A PERCEPTUAL TRANSITION OF RANAT EK PLAYERS

  SANTI UDOMSRI, JARUN KANCHANAPRADIT

  168-185

  • PDF

• THE ARTICLE OF PERFORMING ARTS ON SOLO DANCE ENTITLED "USACHOMSUAN"

  PAKAPAWN HOMNAN

  186-204

  • PDF

• THE WOMAN DRESS IN BABA CULTURE CALLED BAJU PANJANG

  WIKROM KRUNGKAEO

  205-220

  • PDF

• BALLET FOUNDATIONS AND CONTEMPORARY DANCE, JAZZ DANCE AND SPANISH DANCE

  KWANKAEW KITCHAROEN

  221-237

  • PDF

• INSTRUCTIONS FOR THE AUTHORS

  238-247

  • PDF