CHING MU LONG: TRADITIONAL THAI MUSIC PHENOMENOLOGY AND A PERCEPTUAL TRANSITION OF RANAT EK PLAYERS

Abstract

          The article adopts a phenomenological approach to explain and clarify issues associated with the practice and performance of the traditional Thai composition Ching Mu Long. This piece which is part of a technical repertoire known as ‘Pleng lai mue’ which forms the basis of musical training for ranat ek players. The central questions relate to the subjective experiences of  musicians for whom music and involvement in Thai musical culture is meaningful to their lives. The study illuminates aspects of traditional Thai musical culture and knowledge systems and shows that transformations occur in ranat ek players’ perceptions and skills as a result of serious  practice. The phenomenological perspective helps draw out details of this developmental process as they gain insight into their own performance as a result of extended periods of committed practice. It shows that immersion in practice is essential for a musician to flourish as a musician and reach their musical potential.