Vol. 12 No. 1 (2025): January-June 2025

บรรณาธิการแถลง | Editorial

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  EDITORIAL

  4-5

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บทความวิจัย | Research Article

• THE JOURNEY OF SONG CYCLE “NIRAS THUMNONG-THARN”

  THURADEE AREEROB KANTAPASARA, SASI PONGSARAYUTH

  13-24

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• THE INNOVATIVE VISUAL ART RESEARCH SCULPTURE COLLECTION PRATIMAVACHANA: ADORATION, RAPACITY, ANGRINESS, DELUSION

  ATIYOT SANKABURANURAK

  25-36

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• DANCE CREATIVITY BASED ON ADVISORS’ STRATEGY FOR DOCTORAL THESIS IN PERFORMING ARTS: PROFESSOR DR. NARAPHONG CHARASSRI

  M.L.PREEYAPUN SRIDHAVAT, NARAPHONG CHARASSRI

  37-54

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• DATA SYNTHESIS TO RESEARCH CONCEPT ON “SCULPTURE INSTALLATION : BACK TO AESTHETIC OF COMMUNITY WAY”

  THANATCHA CHAIRIN, KAMOL PHAOSAVASDI, KASEM PHENPINANT

  55-69

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• THE CONCEPTS AND IDENTITY OF THE MOSQUE ARCHITECTURES IN NONTHABURI, PATHUMTHANI AND PRANAKORNSIAYUTTHAYA

  ADIS IDRIS RAKSAMANI

  70-86

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• APPROCHES TO IMPROVISE PRELUDE, EMBELLISHMENT AND CADENZA IN THE CLASSICAL AND EARLY ROMANTIC ERAS

  TAYANA TAVIBUYAKON, CHANYAPONG THONGSAWANG

  87-99

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• ARRANGING GUIDELINES FOR CLASSICAL AND FINGERSTYLE GUITAR IN DUET

  TAT AMARO, PADET NETPAKDEE, KAWIN PHUSRITHET

  100-112

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• CULTURAL HERITAGE FOR THE OLD CITY AREA AFFECTED BY URBAN DEVELOPMENT FORM POSITIVE DESIGN CONCEPTS

  KANITTA MEECHUBOT, WILAI ASAWADECHSADI

  113-129

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• RAKWONGPONGPRAI: PERFORMING ARTS CREATED FROM THE COST OF NATURAL RESOURCES AND NORTHEAST ARTS AND CULTURE

  PONGSATORN YODDUMNEAN

  130-143

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• “RAM MON” AND IDENTITY OF THE CREATIVE CULTURAL DANCE POSTURE IN THE THAI MON COMMUNITY, BAN PHRA PHLOENG, NAKHON RATCHASIMA

  PATTARARUTHAI KANTAKANIT

  144-158

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• ANIMATION INSTALLATION: SENSING THINGS IN THE ANTHROPOCENE

  CHANYA HETAYOTHIN, KAMOL PHAOSAVASDI, KASEM PHENPHINANT

  159-175

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บทความวิชาการ | Academic Article

• CERAMIC FORM DESIGN WITH DISSECTION AND REASSEMBLY APPROACH

  WORAWUT SUTEEWEERAKAJORN

  177-189

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• INSTRUCTIONS FOR THE AUTHORS

  190-201

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