Central folk music land art

Abstract

          The purposes of the study for Central folk music land art. Which a part of thesis for the creation of contemporary Thai music from Central folk music land art. Use methodology from qualitative research and studying Central folk music land art. Research has found that folk songs in the central region are folk plays that have been passed down from generation to generation in the world of mouth. And this is a song in the response to the greeting of young people in the village or community. The language is simple, native language. The poem is a single headed poem for ease of singing and free verse in the groups or in the band. There are singers as a voice both men and women be called “Por-Peng Mae-Peng” (the lead singer in the interactive song) And other will be sing intervene melody be called “Chorus” (Luk-Khu)The costumes will be dressed according to the local folk of each place. Back in the days it was mainly used by actors to clap the hands. Later in the days of Khwanjit Sriphajan existing folk instruments were introduced such as Two-Faced Drum, Small Cup-Shaped Cymbals, Wooden Rhythm clapper. The instrument are incorporated together with drum beats to be used for playing music (Na-Tap-Song-Mai), (Na-Tap-Prop-Khai). And mixed with the rhythm of singing to enhance the taste of the performance, making it more fun and modern.