The Kratua Thaeng Suea (Thai traditional martial play)

Abstract

The objective of this thesis is 1) to study the history tradition and social context of Thonburi 2) Analyze the pattern of performance technique for thai traditional play of Kratua Thaeng Suea. There are two parts of the research methodology and data collection process which are document study. Field study by fieldwork on a group of tiger stabbed cabins and Thonburi side communities to interview the relevant parties as well as studying the history, social context, Thonburi side and the tactics of playing tiger stabbing cockatoo from the cultural heritage project “ Kratua Thaeng Suea ” Thai heritage ASEAN culture between Buddhist year 2016 - 2019. The results showed that play of Kratua Thaeng Suea is onefoundation that comes from the skits of The King reverberated present play of Kratua Thaeng Suea still remaining in the area of Thonburi play of Kratua Thaeng Suea. Will be played as a story with singing and music there is a unique and inherited sequence. As well as customs and traditions rituals and similar beliefs. The education technique for thai traditional play of Kratua Thaeng Suea. All 3 faculties found similar forms of play. But technique play of different thus. Group of Khunpon Charoenporn will use the beautiful art of dancing and singing more than speaking. Group of Luang Por Khao students there are jokes inserted in skits all the time. Group of pu thxd students there will be a dialogue that has a pattern and the somersault show, which makes the 3 groups have strategies that are unique and unique.