NARRATIVE EMPATHY THROUGH FILM: A CASE OF CANCER AND GENDER IN ORDINARY LOVE (2019)
Keywords:
empathy, narrative empathy, film, gender, illness narrativeAbstract
This research aims to investigate Ordinary Love (2019), the film directed by Lisa Barros D’Sa and Glenn Leyburn through the narrative empathy framework. The research hopes to understand the mediation of illness experiences in relation to gender issues as well as the strategies employed to evoke audience empathy. It is found that the film recounts the breast cancer experiences of the protagonist including the physical and mental effects of diagnosis, medical treatment and chemotherapy. In the light of gender, the protagonist encounters an intersection between wifehood and her own patient identity. The gender aspects are, at last, minimized. The film presents the building of empathic communities among cancer patients and those surrounding them by means of bounded strategic empathy, which eventually contributes to the broadcast strategic empathy. Furthermore, the film challenges the representation of cancer in the Hollywood tradition focusing on individualism, the dramatic transformation and excessive glorification of human experiences. By understatement, the film positions illness as a part of common human experiences along with love, hope, and bereavement. The research thus asserts the potential of filmic texts for enhancing empathy; it can be further advanced in the context of medical education.
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