An Analysis of Beauty of Silk in Nakhon-Chaiya-Bu-Rin According to the Theory of Objectivity

Main Article Content

Phramaha Natthabhan Sudassanavibhani
Suwin Tongpan
Jaras Leeka

Abstract

              This research aims to 1) To study the theoretical beauty object. 2) To study the Nakhon Chai Burin silk. And 3) To analyze the beauty of Nakhon Chai Bu Rin silk. According to the theory of objectivity This is a qualitative research. The in-depth interviews with the target group were Silk Weaving Group and 20 Folk Guru Group, 16 Promoters, 16 Generalized Information Users, and 52 Subjects. The research found that : 1) Aesthetic theory The value of aesthetics is the object of the same. It is based on the basic elements of art such as color, lines, shapes, proportions and so on. 2) Silk is a handicraft. The beauty of the silk. Impressed by the imagination and spirit of the artist, it inspires creativity, develops patterns, and fine-tuning textiles. At present, there are applied colors, patterns and processed silk products to meet the purpose of various applications. 3) The beauty of Na Khon Chai Bu Rin silk according to the theory.
The beauty of the process is meticulously woven. Exquisite and elaborate with the pain of the weavers. With knowledge of the arts and crafts weaving. When
looking at the beauty of the theory of multiple choice. It can be seen that the aesthetic value is derived from the composition of external objects, such as
color, lines, shapes, proportions and so on.

Article Details

How to Cite
Sudassanavibhani, P. N. ., Tongpan, S. ., & Leeka, J. . (2019). An Analysis of Beauty of Silk in Nakhon-Chaiya-Bu-Rin According to the Theory of Objectivity. Journal of Graduate MCU KhonKaen Campus, 6(1), 223–235. Retrieved from https://so02.tci-thaijo.org/index.php/jg-mcukk/article/view/243665
Section
Research Article

References

Jaroon Gomutrattananon. ( 1999) . Greek aesthetics - renaissance. Bangkok :
Chulalongkorn University.
Jee Srinivasan. ( 2002) , Aesthetic problems and theories of beauty and art.
Translation and compilation By Suchao Ploychum. Nakhonpatom :
Mahamakut Buddhist College Press.
Kamjon Suntonpongsri. (2013). Aesthetics Philosophy of Art Theory of visual
art criticism. Bangkok : Chulalongkorn University Press.
Kirati Bunjear. (1979). Philosophy of Art. Bangkok: Thai wattanapanit.
Luksanawat Pararat. (2008). Aesthetics. Bangkok: Ramkhamhaeng University.
Sarangsri Keawpijit. (2014). Folk wisdom in production of Pak Thong Chai
silk to develop as a standard product of community products.
Master of Arts. Graduate School : Mahasarakham University.
Nittaya Chatmeangpak. ( 2012) . An analysis study of Mudmee Silk, Na pho
District, Buriram Province. Master Thesis M.E.d. (Art Education).
Bankok : Graduateschool Srinakharinwirot University.
Office of the National Economic and Social Development Council. ( 2 0 1 8 ).
National Economic and Social Development Plan1 2 th
. Online.
Retrieved December 26, 2018. from: https://www.nesdb.go.th
Pong Menok. (1993). Aesthetics. Bangkok: Ramkhamhaeng University.
Phramaha Natthabhan Sudassanavipani. ( 2016) . An Analysis of Art on The
Sib-Song-Ra-Sri Silk in Udonthani province. Master of Art
(Philosophy). Bankok : Mahachulalongkornrajavidyalaya University
Sangon Rodbun. (1990). Art with Humans. Bangkok: Odeonstore.
Taweephut Sirisakbanjong and Choocheewan Tamisanon. ( 2011) . Copyright
in Thai Silk Works: A Case Study of about Thai Silk Works in
Surin Province. Research Report. Bankok : Siam University.
Wattana Jutawipat. (2009). Folk art. Bangkok: Chulalongkorn University
Press.
Wilawan Weranuwat.(1990).Mud me Thai…Rural fiber. Bangkok : Bangkok
Printing Works.
Wimolpan Pittadhawatchai.(1980).Pha E-san.Bangkok: Pikkhanat.
Wimaisin prungchaiyaphum. ( 2008) . Ban khwao Silk Cloth. Master of Arts.
Graduate School : Mahasarakham University.