The Wipitpatanasilpa Journal of Arts (WIPIT), Volume 5, No. 3, September - December 2025, is the electronic journal of Bunditpatanasilpa Institute of Fine Arts, Bangkok, Thailand. The WIPIT Journal encourages and supports a wide range of articles by national and international authors advancing knowledge in arts and culture, including dance, music, visual arts, literature, and arts education. WIPIT is currently in Tier 2 based on the Thailand Index Citation Centre (TCI) from 2025-2029.  Each article was reviewed by three reviewers to qualify the articles published.

This issue of the journal contains eight articles: seven research articles and one creative work article, namely:
1) Development of a Training Curriculum for the Chui Chai Phraya Anuchit Chakrakrit Pipatphongsa

2) The Phra Malai Chant “The Mae Wandee Janjumrus Group”

3) The Development of Training Curriculum for Thai Classical Dance: The Phrommat Dance Suite

4) Developing Basic Angklung Performance Skills Using Think-Pair-Share Learning

5) Developing Thai Performing Arts Practice Skills of Khon Yak through Workplace Learning

6) Thai Classical Music Conducting in Sam Ran Dontri Klong Suite based on the Conducting Methods of Khru Prasit Thawon (National Artist of Thailand)

7) Exploring Intangible Cultural Heritage in Phutthamonthon District, Nakhon Pathom Province

The creative work article is titled: The Creative Dance: "Penchak Leela Dance”

The WIPIT Journal of Arts would like to thank the authors and reviewers who revised and edited these articles for publication.

Assoc. Prof. Dr. Somphop Khieomani

Editor-in-Chief

Published: 2025-12-29

Developing Competency in Thai Performing Arts Skill [Khon Yak] by Workplace Learning

ผศ.ดร.มาโนช บุญทองเล็ก , Athisak Rukdee, Kamron Suntharanont, Pravit Rittibul

73-91

The Phra Malai Chant “The Mae Wandee Janjumrus Group”

กณพ กิ้มเฉี้ยง, Dussadee Meepom, Bamrung Phattayakul

17-33

The Development of Training Curriculum for Thai Classical Dance: The Phrommat Dance Suite

ผศ.ดร.มาโนช บุญทองเล็ก , Natthaphon Janpitan, Kanchaporn Tunthong, Pravit Rittibul

34-55