Communication Strategies in Solo Performance: A Case Study of “The World of a Delusional Man”

Abstract

        This research aimed to 1) study the communication strategies employed in the solo theatrical performance, "The World of a Delusional Man," and 2) examine audience satisfaction with these communication strategies. Data were collected from 141 audience members using a self-developed questionnaire, which demonstrated high reliability (Cronbach's Alpha = 0.92). The questionnaire combined quantitative measurements of satisfaction with qualitative open-ended responses regarding the communication strategies. The data were analyzed using descriptive statistics and content analysis. The findings revealed that the communication strategies in the solo performance consisted of five core components 1) script, 2) gesture communication, 3) composition of lyrics and melody, 4) facial expressions and emotions, and 5) performance elements. These components were categorized into four communication dimensions for measurement: non-verbal communication, content and character delivery, communication through artistic elements, and verbal communication. In terms of audience satisfaction, the overall satisfaction level was at the highest level (mean = 4.87). Non-verbal communication received the highest satisfaction score (mean = 4.90), with facial expressions and emotional communication specifically ranking the highest (mean = 4.91). The research findings align with Aristotle’s theory of Mimesis, the Human Needs Gratification theory, and Non-verbal Communication theory. This study underscores that successful solo performance requires the performer to possess multidimensional abilities and employ integrated communication strategies. The results are valuable for solo performers, directors, educators, and performing arts scholars in developing performance skills, designing effective productions, and creating efficient curricula.