แม่ท่าฟ้อนล้านนา : ศิลปินแห่งชาติ สาขาศิลปะการแสดง (การแสดงพื้นบ้าน-ช่างฟ้อน)

Abstract

This research article is about Basic of Fon Lanna : National artist in performing arts (Folk dance – dancer). It aims to study and analyze the style of dance that appears in the performances of the National Artist in the Performing Arts (Folk dance – dancer) using qualitative research methods from collecting information from artists' performances in online media, documentation, Interview with direct heir of the artists and their students. All data were gathered for analysis of the dance post from performances by National artists (Folk dance – dancer) namely Fatherly teacher Kham Kawai, Fatherly teacher Manop Yarana, Motherly teacher Buariao Rattanamaniporn.

The results showed that The choreography of the 3 artists. It has been passed down from the master of Lanna folk performance and their creative folk dance so as to adapt the performance to suit each social context and their aptitude. The aforementioned dance moves are derived from the traditional style of men, namely Fong Choeng and the dance moves that come from the style of women's performance. The name of the dance comes from the expression of the dance movements, nature and animals both the dance moves and the dance master's name were properly adjusted accordingly. The accompanying musical instruments include the Lanna drum circle, Salor, Thai mandolin and the Lanna Piphat orchestra.In addition, it was also found that the names of the dance movements of the 3 artists using the same dance name in some moves but the style of dance movements are different. It is unique to their office.

Keywords: Mae Tha Fon, Lanna, fatherly teacher, motherly teacher