NAWATTASILPNORASAN: THE INNOVATIVE CRAFT JEWELRY A CULTURAL CONSURVATION TO APLIED ART OF MANORAH IDENTITY

Abstract

This research aims to 1. Study the knowledge of Manora performing arts. A body of knowledge of Manorah performance art was gathered, documented and on site visits. Three groups of data were provided, namely, village sages using specific sampling methods. The local population and the general population using convenient sampling method. 2. Manorah performing arts identities together with DRR (2C (MEAMAI)) principles were analyzed to obtain the distinctive Manora identities respectively, namely costumes (Bead set), dance posture, jewelry and musical instruments 3. Synthesize and create a prototype of contemporary innovative art jewelry. Received a prototype of Norasan innovative jewelry from the creativity of the Manorah Cycle 3 concepts, namely, forwarding and continuation, entertainment show and ceremonial performances in different positions of the body reflecting the concept from the head, hands, arms, neck, shoulders, chest, torso. This research is a qualitative research that uses integrated research methods (Integrated research) combines concepts and theories from the field of phenomenal science, philosophical approach, marketing strategy principles together with the science of fine arts. Create new principles for analyzing and synthesizing the prototype of Norasan jewelry. Each series of works reflects a concept related to the purpose of creating and conveying the identity of the Manorah performing arts in a new way.