The Detective’s Bare Life and the State of Exception in Christopher G. Moore’s Vincent Calvino Crime Series

Main Article Content

Panida Boonthavevej

Abstract

This is a study of Christopher G. Moore’s crime series, featuring Vincent Calvino, a lawyer-turned-detective from New York City, who has relocated to Bangkok. The series is examined as an example of the hard-boiled tradition, which emerged between the two World Wars in response to the particular social, economic and political conditions in the United States. The study places an emphasis on the detective character in Moore’s crime series of seventeen novels, suggesting that he is regarded as “bare life” or “homo sacer,” which cannot be sacrificed, but may be killed with impunity. This character, as Giorgio Agamben postulates, is confined in a zone of indistinction between zoè, (the biological fact of having life) and bios (political or qualified life), between life and law. This zone is termed “state of exception” and is inhabited by the sovereign power, where the efficacy of law is suspended while the force of law is enacted. Eventually, Agamben’s concept of the use-of-self is proposed to epistemologically liberate bare life from the conundrum of its existence. This suggests that in order to release oneself from wretched conditions, one needs to abandon physical activity and resort to contemplation and inactivity, which constitutes the use of the soul according to the logos.

Article Details

How to Cite
Boonthavevej, P. . (2025). The Detective’s Bare Life and the State of Exception in Christopher G. Moore’s Vincent Calvino Crime Series. Humanity and Social Science Journal, Ubon Ratchathani University, 16(1), 38–65. retrieved from https://so02.tci-thaijo.org/index.php/human_ubu/article/view/272416
Section
บทความวิจัย (Research paper)

References

Agamben, G. (1998). Homo sacer: Sovereign power and bare life (D. Heller-Roazen, Trans.). Stanford University Press.

Agamben, G. (2005). State of exception (K. Attell, Trans.). The University of Chicago Press.

Agamben, G. (2015). The use of bodies (A. Kotsko, Trans.). Stanford University Press.

Butler, J. (2004). Precarious life: The powers of mourning and violence. Verso.

Cawelti, J. G. (1976). Adventure, mystery, and romance: Formula stories as art and popular culture. The University of Chicago Press.

Colebrook, C. & Maxwell, J. (2016). Agamben. Polity Press.

Evans, C. A. (2015). Vincent Calvino’s world: A noir guide to Southeast Asia. Heaven Lake Press.

Geherin, D. (2008). Scene of the crime: The importance of place in crime and mystery fiction. McFarland.

Horsley, L. (2005). Twentieth-century crime fiction. Oxford University Press.

Hoy, T. (2014). Detecting Thainess: Primordialism and constructivism in the Thai expatriate crime novel. Asian Journal of Literature, Culture and Society, 8(2), 1–27.

Knight, S. (2010). Crime fiction since 1800: Detection, death, diversity. Palgrave Macmillan.

Moore, C. G. (2000a). Asia hand. Heaven Lake Press.

Moore, C. G. (2000b). The big weird. Heaven Lake Press.

Moore, C. G. (2004a). Cold hit. Heaven Lake Press.

Moore, C. G. (2004b). Spirit house. Heaven Lake Press.

Moore, C. G. (2007). The risk of infidelity index. Heaven Lake Press.

Moore, C. G. (2010a). The corruptionist. Heaven Lake Press.

Moore, C. G. (2010b). The Vincent Calvino reader’s guide: The laws, worldview, and books. Heaven Lake Press.

Moore, C. G. (2012). Faking it Bangkok: Crime and culture in the digital age. Heaven Lake Press.

Moore, C. G. (2014). The marriage tree. Heaven Lake Press.

Moore, C. G. (2015). Crackdown. Heaven Lake Press.

Moore, C. G. (2016). Jumpers. Heaven Lake Press.

Moore, C. G. (2020). Dance me to the end of time. Heaven Lake Press.

Murray, A. (2010). Giorgio Agamben. Routledge.

Norris, A. (2000). Giorgio Agamben and the politics of the living dead. Diacritics, 30(4), 38–58. https://doi.org/10.1353/dia.2000.0032

Porter, D. (1981). The pursuit of crime: Art and ideology in detective fiction. Yale University Press.

Porter, D. (2003). The private eye. In M. Priestman (Ed.), The Cambridge companion to crime fiction (pp. 95–113). Cambridge University Press.

Poungsuwan, N. (2008). "Smiles of deceit": "Farangs" and the imagining of Thailand in contemporary western novels [Unpublished manuscript]. Department of Comparative Literature, Chulalongkorn University. (in Thai)

Scaggs, J. (2005). Crime fiction. Routledge.

Spinks, L. (2007). Except for law: Raymond Chandler, James Ellroy, and the politics of exception. The South Atlantic Quarterly, 107(1), 121–143. https://doi.org/10.1215/00382876-2007-059

Symons, J. (1992). Bloody murder: From the detective story to the crime novel. Warner Books.

Thompson, J. (1993). Fiction, crime, and empire: Clues to modernity and postmodernism. The University of Chicago Press.

Winichakul, T. (2020, March 3). The legal privileged state and the royalist rule of law: A genealogy of Thai-style rule by law. https://www.econ.tu.ac.th/archive/detail/43 (in Thai)

Worthington, H. (2011). Key concepts in crime fiction. Palgrave Macmillan.