Main Article Content
The application of colored glass for producing Thai traditional house decorations is an innovation for decorating houses. The idea represents variations in society. This research is intended to analyze the forms and patterns of colored glass in different kinds of products. Additionally, the work shows different parts of Thai traditional culture while providing house decoration using colored glass. The attractive glass facilitates the teaching of Thai culture as people are naturally attracted to the beautiful decoration.
The collection consists of colored glass products for house decoration, architectures for colored glass decoration, experts in Thai traditional culture, stories of Thai traditional culture; and stained-glass artists. The focus groups include colored glass products for house decoration from Ban Tawai Handicraft Centre which consist of total 6 types: furniture, glass frames, paintings, portraits, painting of animals, and fortunate symbols. The architectures of colored glasses are at 3 places: Dhara Dhevi Hotel, Wat Ket Karam, Chiangmai Province, and Wat Chiang Thong, Luang Prabang. The concepts were developed by five experts in Thai traditional culture from Department of Cultural Promotion and Rajamangala University of Technology and produced by two colored glass artists from Ban Tawai Handicraft Village, Chiangmai Province. The works promote two stories of Thai traditional culture, consisting of the Songkran Festival-Thai New Year's Celebration and the Wai which is used by the Thai people to pay respect. Research tools consist of an observation table of stained-glass products, analysis tables of house decorations, mural paintings of the Songkran Festival, and the ‘wai’, questionnaires for the experts in Thai traditional culture, draft drawings of products, a selection of Thai traditional culture and furniture styles, and evaluation of the satisfaction and sense of product styles.
The forms, patterns, and techniques of colored glasses usage for house decoration were found in some types of souvenirs and furniture, consisting of photo frames, murals, portraits, and animal and fortunate symbol platforms with the pattern of glass on the surface and groove of the product. Architectural decoration is symbolic, and the shapes of Puranaghata (a pot of prosperity) at Wat Chiang Thong, Luang Prabang, the patterns appear as the shapes of trees, animals, and the lifestyles of the local people. The contents of Thai traditions appropriate to create home decorative products and to create knowledge as well. They should be a matter of core traditions that helps people to remember easily to keep and maintain Thai culture. They should also be developed as product models with product design principles. Finally, they should create an interest in the patterns so that the important message can be communicated to the general public easily, with familiarity of the content, and with a colored mirror surface.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
All rights reserved. Apart from citations for the purposes of research, private study, or criticism and review,no part of this publication may be reproduced, stored or transmitted in any other form without prior written permission by the publisher.
Cliff, S., Cgabaneix, G. (2008) The way we live with colour. Singapore: Thames & Hudson.
Department of Cultural Promotion. (2002) Thai Manners. Bangkok: War Veterans Organization of Thailand.
Hannapa, P. (2010) The Integration of Image Language and Alphabets in Thai Northeast Murals, The thesis for doctorate degree. Pitsanulok: Naresuan University
Heidi, M. (2010) Beads of Borneo. Singapore: Singapore Star Standard.
Inkong, P. (2003) Management of Arts as Commodities: Traditional Thai Painting on Products. (Master’s thesis) Faculty of Arts, Thammasat University.
Inman, G, et al., (2012) Bespoke. China: Schiffer.
Jantawanich, S. (2008) The Method of Qualitative Research. Bangkok: Chulalongkorn University.
Judith, G. (2012) Design after modernism. Singapore: Norton.
Kupthanaporn, M. (2515) Light, Color, and Mind Comforting: From the falling light of colored glasses to the world of ornament. Bangkok: Silpakorn University.
Larson, L. (2011) Swedish Ceramic Artist. Japan: Pie book.
Musikakama, N. (2002) Culture: The New Role In The Age of Globalization. Bangkok: Rungsilp Printing Co., Ltd.
Musikakama, N. (2004) The Theory of Aesthetics of Fine Arts. Bangkok: Amarin Printing & Publishing.
Na Bangchang, S. (1992) Traditional Culture: The Belief and Behaviour from Sukhothai Period to The Middle of Ayutthaya Period. Doctoral dissertation: Chulalongkorn University.
Nampa, T. (2013) The Education and Development of Colored Glass and Glass Decoration Forms With Molding and Burying. Master of Arts In Teaching. Bangkok: Srinakharinwirot University Prasarnmit.
Newyoen, K. (2017) Forest: Painting on Glasses No.2. The 57th National Art Exhibition. Silpakorn University. [Online URL: www.resource.lib.su.ac.th/artsu/web/artdetail.php?item_id=302 accessed on August 5, 2016.
Nimsamoe, C. (2002) Contemporary Drawings. Bangkok: Amarin Printing & Publishing.
Office of Traditional Arts. (2014) Gilding For Glass Decoration. [Online URL: www. finearts.go.th/ traditionalart/2014] accessed on March 1, 2017.
Rebecca, P. (2012) The sustainable design book. London: Laurence King Publishing.
Soonpongsri, K. (2008) History of Western Art 2. Bangkok: Odian Store.
Soonpongsri, K. (2012) Aesthetics. Bangkok: Chulalongkorn University.
Supamaethikulwat, T. (2014) Emotional Design. [Online URL: www.smethailandclub.com/knowledgesview.php?id=425&page=5] accessed on September 24, 2014.
The Fine Arts Department. (2016) Gilding Artists for Glass Decoration. [Online URL: https://www.finearts.go.th/traditionalart] accessed on August 5, 2016.
Uuluchatha, P. (2007) The Beauty of Thai Traditional Art. Bangkok: Darnsutha Press Co., LTD.
Wanjing, A. (2001) The Education of Aesthetic Value in Social Role and The Result from The Environment of Glass Decoration Art On Ubosot Wall of Wat Maneechan, Putthaisong Cunty, Bureeram Province. Chiangmai: Chiangmai University.
Wanjing, A. (2013) The Aesthetics in Society and The Result from The Environment of Glass Decoration Art On Ubosot Wall of Wat Maneechan, Putthaisong Cunty, Buriram Province. Chiangmai: Chiangmai University. The Journal of Applied Arts (January-June): 125-202.
Wiriyapan, L., P. Foundation. (2017) Traditions of 12 Months in Central Thailand. [Online URL: https://lek-prapai.org/home/view.php?id=869] accessed on January 5, 2017.