An Analysis of Using Objects in Contemporary Artistic Creation of Martin Creed and Choi Jeong Hwa
Article Sidebar
Main Article Content
Abstract
An analysis of the use of objects in the contemporary artistic creations of Martin Creed and Choi Jeong Hwa, through the theories of materiality, object-oriented ontology, becoming, and the death of the author, got the following results: 1) The status of objects can change to that of artworks depending on context, environment, and the artistic activities in which the objects are engaged. 2) The use of objects to create artworks results in a translation of these objects, giving them the potential to possess specific properties as artworks. 3) The use of objects in creating artworks establishes a relational space on two levels, where each part influences the other. It also breaks down boundaries to merge different spaces, resulting in a new space and leading to the dissolution of stable identities. 4) The change in the status of objects to artworks raises questions about artistic value, allowing viewers to consider the artworks through their own experiences without the influence of the artists. 5) The artworks of both artists convey core concepts and important subjects related to art criticism and the significance of the viewer’s experience. On the one hand, Martin Creed’s artworks stand out in their challenge to artistic judgment, infused with playfulness and humor. On the other hand, Choi Jeong Hwa’s artworks also express positive emotions and feelings, as well as reflecting local culture.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
References
Art UK. (2024, February 27). Martin Creed and Conceptual Art. Art UK. https://artuk.org/learn/learning-resources/martin-creed-and-conceptual-art?fbclid=IwY2xjawGCryxleHRuA2FlbQIxMQABHSRUHOqbJRZ00Z9d5WBThfTehTvb8B1NuLY3fC6pmGfbmxDI9n8A9ElpNg_aem_HYdnxNkUm-ZNeF73fSjX2g.
Artist Rooms. (2021, May 8). Work No. 960 [Image]. Artist Rooms Foundation. https://www.artistrooms.org/rooms/martin-creed-preston.
Bangkok Art Biennale 2018. (2018, October 19). Choi Jeong Hwa. Bangkok Art Biennale. https://bab18.bkkartbiennale.com/profile/choi-jeong-hwa.
Choi Jeong Hwa. (2022, August 9). Paradise Kortrijk. https://www.paradisekortrijk.be/en/visit-paradise/artists/artist/choi-jeong-hwa.
Choi Jeong Hwa. (2019, August 20). Ocula. https://ocula.com/artists/choi-jeong-hwa.
Choi Jeong Hwa. (n.d.). Kadist. https://kadist.org/people/choi-jeong-hwa.
Chun, C. Y. (2011, December 20). Artist Creates a Colorful Mosaic of 1,000 Doors in Seoul. The Architect’s Newspaper. https://www.archpaper.com/2011/12/artist-creates-a-colorful-mosaic-of-1000-doors-in-seoul.
______. (2011, January 29). Martin Creed. Martin Creed Words. http://www.martincreed.com/site/words.
Creed, M. (2021, September 25). Work No. 928 [Image]. Galleria Lorcan O’Neill Roma. http://www.lorcanoneill.com/site/elencoLavoriDettaglio.php?idArtista=4&pageno=1.
______. (2007, May 4). Work No. 701 [Image]. Hauser & Wirth. https://www.hauserwirth.com/hauser-wirth-exhibitions/2895-martin-creed-2.
______. (n.d.). Numbers instead of words. Martin Creed Words. http://www.martincreed.com/site/words/numbers-instead-of-words.
Duangwises, N. (2021, September 17). Mānusayawitthayāwatthu (Materiality and the Anthropology of Material Culture) [The Objects of Anthropology (Materiality and the Anthropology of Material Culture)]. Princess Maha Chakri Sirindhorn Anthropology Centre (Public Organisation). https://www.sac.or.th/portal/th/article/detail/258.
Edelstein, J. (2012, May 14). Martin Creed [Image]. National Portrait Gallery. https://www.npg.org.uk/collections/search/portrait/mw227744/Martin-Creed%20Image.
Fongsmut, A. (2024). Khiurētœ̄ Tham ʻArai (Chabap Prachāchon) [What Do Curators Do? (People’s Edition)]. Bangkok: Office of Contemporary Art and Culture.
Found Object. (2017, Aril 14). Tate. https://www.tate.org.uk/art/art-terms/f/found-object.
Heo, D. (2021, February 9). A Feast of Flowers [Image]. Koreana. https://www.koreana.or.kr/koreana/na/ntt/selectNttInfo.do?mi=1079&nttSn=52803&bbsId=1121&langTy=KOR.
______. (2021, February 9). Choi Jeong Hwa [Image]. Koreana. https://www.koreana.or.kr/koreana/na/ntt/selectNttInfo.do?mi=1079&nttSn=52803&bbsId=1121&langTy=KOR.
Kim, M. (2021, February 9). Outsizing the Ordinary. Koreana. https://www.koreana.or.kr/koreana/na/ntt/selectNttInfo.do?mi=1079&nttSn=52803&bbsId=1121&langTy=KOR.
Kitirianglarp, K. (2020). OOO Bư̄angton Samrapʻ An Chop Dai Nai Nưng Chūamōng [Object-Oriented Ontology in One Hour]. Bangkok: Parbpim Company Limited.
Korean Art Museum Association. (2020, November 12). 1,000 Doors [Image]. Google Art & Culture. https://artsandculture.google.com/asset/1-000-doors-choi-jeonghwa/YAGsTofcP6rlyA?hl=en%20Image.
______. (2020, November 14). Happy Happy [Image]. Google Art & Culture. https://artsandculture.google.com/asset/happy-happy-choi-jeonghwa/OgGIEUZOERH7MA.
Martin Creed. (2019, March 11). Artnet. https://www.artnet.com/artists/martin-creed/biography.
Martin Creed. (2018, November 12). The Art Story. https://www.theartstory.org/artist/creed-martin.
Martin Creed. (2015, 30 April). Zabludowicz Collection. https://www.zabludowiczcollection.com/collection/artists/view/martin-creed.
Martin Creed. (2009, January 24). Hauser & Wirth. https://www.hauserwirth.com/hauser-wirth-exhibitions/2873-martin-creed/?fbclid=IwY2xjawGUgR9leHRuA2FlbQIxMAABHeoHi3R7eBvktqvX3Yy5alaXmJI_CXaBMnkOVt8z8fNefIAppthenNWMnQ_aem_xnuiwxBIBPL2gRQJ65oIsA.
Mixed Media. (2017, Aril 14). Tate. https://www.tate.org.uk/art/art-terms/m/mixed-media.
Nagavajara, C. (1996). Nǣothāng Kānpramœ̄n Khunkhā Wannakhadī Nai Wannakhadī Vicharn Yœ̄raman Farangsēt Læʻ Angkrit-ʻamērikan Nai Satawat Thī Yīsip [Trends in Literary Evaluation in Twentieth-Century German, French and Anglo-American Criticism]. Bangkok: Odeon Store.
Pari. (2017, December 1). Tham Khwām Rūčhak Chawē Čhō̜ng Hō̜wā Nưng Nai Sinlapin BAB Sō̜ngphansippǣt Phān Sinlapa Thī Mī Hūačhai Lak Pen Phūchom [Getting to Know “Choi Jeong Hwa,” One of the “BAB 2018” Artists, Through Art that has the Heart is Audiences]. Room Baan Lae Suan. https://www.baanlaesuan.com/87116/design/lifestyle/choi-jeong-hwa
Postmodernism. (2017, Aril 10). Tate. https://www.tate.org.uk/art/art-terms/p/postmodernism.
Putnark, V. (2021, September 16). Death of the Author Wādūai KāntāI Khō̜ng khonkhīan Læ Kāntīkhwām Wannakam [Death of the Author: Concerning the Death of the Author and the Interpretation of Literature] . The Matter. https://thematter.co/social/death-of-the-romance-author/155089.
Readymade. (2017, Aril 17). Tate. https://www.tate.org.uk/art/art-terms/r/readymade.
Rodboon, S. (2024). Sinlapa Nǣo Khō̜nsēpō̜chawalō̜ [Conceptual Art]. In Saengsuratham, K. (Ed.), Phư̄a Phli Sō̜k Læ ʻOk Bai: Nangsư̄ Rūam Botkhwām Khatsan Dān Sinlapa Læ Kānsưksā Khō̜ng Somphō̜n Rō̜tbun Tangtǣ Phō̜.Sō̜. Sō̜ngphanhārō̜isaāmsip - Sō̜ngphanhārō̜ihāsipčhet [Planting the Seeds: Sharing Art and Education, Selected Writings of Somporn Rodboon 1987-2014]. Silpakorn University.
______. (2024). Sinlapa Nǣo Sư̄phasom Mixed Media [Mixed Media Art]. In Saengsuratham, K. (Ed.), Phư̄a Phli Sō̜k Læ ʻOk Bai: Nangsư̄ Rūam Botkhwām Khatsan Dān Sinlapa Læ Kānsưksā Khō̜ng Somphō̜n Rō̜tbun Tangtǣ Phō̜.Sō̜. Sō̜ngphanhārō̜isaāmsip - Sō̜ngphanhārō̜ihāsipčhet [Planting the Seeds: Sharing Art and Education, Selected Writings of Somporn Rodboon 1987-2014]. Silpakorn University.
See, G. I. (2018, December 18). An Interview with Choi Jeong Hwa. The Artling. https://theartling.com/en/artzine/an-interview-with-choi-jeong-hwa.
Songklin, P. (2018). Pradchaya Kānmư̄ang Yuk Langsamaimai [Postmodern Political Philosophy]. Maha Sarakham: Aphichat Printing Limited Partnership.
Suparuksametha, S. (2020). Botbāt Khō̜ng Watthusamretrūp Læ Watdukeptok Nai Sinlapasamaimai Læ Rūamsamai [The Roles of Readymade and Found Object in Modern and Contemporary Art]. Silpa Bhirasri (Journal of Fine Arts), 7(2), 85–104.
Work No. 997 [Image]. (2015, 30 April). Zabludowicz Collection. https://www.zabludowiczcollection.com/collection/artists/view/martin-creed.
Yoo, A. (2012, July 31). Time After Time [Image]. My Modern Met. https://mymodernmet.com/choi-jeong-hwa-all-eyes-on-korea-pop-art.
______. (2012, July 31). Whimsical Installations Introduce Korean Pop Art to London. My Modern Met. https://mymodernmet.com/choi-jeong-hwa-all-eyes-on-korea-pop-art.
