A Study of Techniques in Using Colors of Ancient Chinese People
Main Article Content
Abstract
Chinese art is associated with a long history and Chinese culture. Chinese ancestors have expertise in using colors from mineral stones, plants, and animals for artistic creation. The colors that Chinese people use come from natural materials that can be found in the area that makes each area use different colors. Creating a unique local identity, so “color” is directly linked to Chinese culture. The study of art history of China can see the development of color in Chinese art continuously. The Chinese have a meticulous preparation process including the selection of natural raw materials. And the use of medium, which is an important step in producing color before bringing to create quality art work. The color preparation process is an interesting body of knowledge to be studied and disseminated further.
The objectives of this study were to (1) Study the development of color in Chinese art work. (2) Study the methods of and techniques of color usage in daily life of the ancient Chinese. (3) Disseminate knowledge of the wisdom of using color of ancient Chinese people by studying from documents and research related to the use of Chinese colors use data synthesis methods by collecting data and analyze content with the method of descriptive analysis.
The results of the study are divided into 2 aspects: (1) The color development in Chinese art, it was found that the use of color started from the old stone age, which found the use of red stone minerals for decorating various appliances. The use of color has developed continuously, such as the Xia Dynasty, the Shang Dynasty and the Zhou Dynasty found a record of the use of colors in all 5 directions, showing the skills and knowledge of using colors to connect with various things in daily life. Until leading to the terms that were widely used in those days. The use of color in the Chinese has been continuously developed. Until the middle ages of the Qing Dynasty was influenced by Western people. There was more imports of synthetic dyes into China. (2) The technique of using color in Chinese arts, it is found that the Chinese classify colors into 6 categories which are 1) color from mineral stone 2) color from plant 3) color from animal 4) synthetic color 5) mixed color 6) color from metals. The Chinese prefer to use paints from mineral stones, and plants that are most locally found. All six types of paints have techniques, methods of use and different properties.
Article Details
References
Akararungruangkul, R. “Kānsưksā Phư̄a Kamnot Sān Thī Mo̜som Nai Kān Phalit Sānsom. [A study for section of suitable materials in aluminum sulfate manufacturing].” Master’s thesis of Engineering (Industrial Engineering), Chulalongkorn University, 1995.
Chen Guanwei and Xiao Yongming. “Guōsōngdào “lǐ jì zhíyí” yánjiū. [Research on Gao Songtao’s Lijizhiyi].” Journal of Hunan University (Social Science Edition) 20, no. 2 (2013): 119.
Chutmuangpak, N. “Kānsưksā Wikhro̜ Phā Mai Matmī ʻAmphœ̄ Nā Phō Čhangwat Burī Ram. [An Analytical study of Mudmee silk, Na Pho district, Buriram province].” Research report, Master’s thesis of Education Degree in Art Education, Srinakharinwirot University, 2012.
Ebrey Buckley, P. Chinese civilization: a sourcebook. (2nd ed.). New York: The Free, 1993.
Geng Yang. Méijiè yǐngxiǎng xià de tèshū wénhuà xiànxiàng. [Special cultural phenomena under the influence of media]. Shaanxi Normal University of News and Broadcasting Institute, (2010): 135.
Jia Lanpo. Zhōngguó dàlù shàng de yuǎngǔ jūmín. [Early man in china]. Tianjin: People’s Publishing House, 1978.
Kong Yingda. Shísān jīng zhùshū (shàngcè). [Commentary on the Thirteen Classics (Volume 1)]. Beijing: Zhonghua Book Company, 1979.
Langenheim, J. Plant Resins: Chemistry, evolution, ecology, and ethno botany. Portland: Timber, 2003.
Li Lin and Chen Zhongfu. Tángliùdiǎn juǎn èrshí’èr “zhī rǎn shǔ.” [Tang Liudian Volume 22 “Weaving and Dyeing Department”]. Shanghai: Zhonghua Book Company, 1992.
Li Wenjun. Yù yùn cāo xuě—hàndài piàn zhuàng yùqì zònghé yìshù yǔyán yánjiū. [Yu Yun Cao Xue: A Study on the Comprehensive Artistic Language of the Flaky Jade Articles of the Han Dynasty]. Research report, Zhejiang Agriculture and Forestry University, 2017.
Li Yadong. Qín yǒng cǎihuì yánliào jí qín dài yánliào shǐ kǎo. [A study of Qin Terracotta Paints and Pigments]. Beijing: Beijing University Press, 1985.
Liu Lingchang. Chuántǒng bìhuà de zhìzuò hé jìfǎ. [Traditional mural making and techniques]. Art Research, no. 1 (1984): 31.
Liu Yan, Yang Junchang and Tan Panpan. Cuò jīnyínxīn lùn. [A new theory of gold and silver]. Sciences of Conservation and Archaeology 31, no. 4 (2019): 75 - 76.
Niyomtham, S. “Čhittawitthayā hǣng sī. [Color psychology].” Accessed October 3, 2019. http:/rise.swu.ac.th/Portals/184/documents/articles/The_Psychology_of_Color.pdf.
Prapathai. “Sānsom. [Alum].” Accessed October 3, 2019. http:/202.129.59.73/tn/August55/alum1.html.
Pukatsamas, U. Phalittaphon Phlō̜i Dai Čhāk Sat. [Produce by-products from animals]. Institute of Food Research and product development 41, no. 1 (January/March 2011), 63.
Schafer Hetsel, E. Táng dài de wàilái wénmíng. [Foreign civilization in Tang Dynasty]. Xi’an: Shaanxi Normal University Press, 2005.
Shi Dongyu. Túshuō zhōngguó huìhuà yánliào. [Illustration of Chinese painting pigments]. Beijing: China Science and Technology, 2019.
Shi Yaqi. Chénshǎoméi huìhuà yìshù lùn. [Chen Shaomei’s theory of paintings]. Research report, Art Studies, School of Fine Arts, Qufu Normal University, 2015.
Sunphongsi, K. Prawattisāt Sinlapa Čhīn. [Chinese Arts History]. Bangkok: V Print (1991), 2008.
Tao Zongyi. Náncūn chuò gēng lù. [The Notes on the Words in Nancun Chuogenglu]. Shandong: Qilu Book Company, 2007.
Wang Chaoxia. “Tiānrán rǎnliào de yánjiū yìngyòng jìnzhǎn. [Research and Application Progress of Natural Dyes].” Textile Dyeing and Finishing Journal, 6 (2002): 15.
Wang Liangtian. “Jīn lǚ yù yī. [Jade Burial Suit].” Journal of Shangqiu Normal University 33, no. 5 (2017): 2.
Wang Moran. Wú dàozi yǔ gāo gǔ yóusī miáo. [Wu Daozi and Gao Gu’s silk painting]. China: China’s Calligraphy and Painting, 2010.
Wang Shixiang. Xiū shì lù jiěshuō. [Commentary on Ornament record]. Zhengzhou: Life Reading Xinzhi Sanlian Bookstore, 2013.
Wei Yujuan and Chai Shuanglian. “Tiānrán rǎnliào dì xìngzhì jí qí yìngyòng. [Properties and application of natural dyes].” Textile and Fashion school of Hebei University of Science and Technology 43, no. 6 (2006): 10 - 16.
Wells, K. “Colour, health and wellbeing: the hidden qualities and properties of natural dyes.” Journal of the International Colour Association 11, (2013): 28.
Wu Yiwen. Fēicháng zhōngguó huìhuà. [Special Chinese painting]. Hangzhou: Zhejiang University Press, 2014.
Xuan Minhua. “Huà huì zhī shì. [The Things of painting].” Meiyuan, no. 2 (2014): 70.
Yu Jianhua. Zhōngguóhuà lùn lèi biān (xià juǎn). [Chinese painting theory (volume 2)]. Vol. 2, Beijing: People‘s Fine Arts Publishing House, 2016.
Zang Qi. “Lùn wèi jìn nánběicháo dì měishù. [The research on Fine Arts of Wei, Jin, Southern and Northern Dynasties].” Popular literature and art 24, (2014): 53.
Zhang Yujing. “Shī zhōng yǒu huà, huà zhōng wù qíng—shī huà jiéhé jiàoxué gǔshī “wàng tiānmén shān. [Painting in poetry, feeling in painting -- teaching ancient poetry with the combination of poetry and painting “Looking at Tianmen Mountain”].” Course Education Research, no. 8 (2015): 122.