Creating Khong Wong Yai Solo Style from KruPrasitTavorn'sKhong

Abstract

The creative research on Creating Khong Wong Yai Solo Style in Hands Playing of KruPrasitTavorn's Disciples had the objectives to study hands playing's disciples of KruPrasitTavorn in the level for solo in order to create the solo of Khong Wong Yai in plengPhayanak 3 levels in the style of KruPrasitTavorn and to create the solo of Khong Wong Yai in plengPhayanak 3 levels by other artists, taking qualitative method in data gathering from academic documents, interviewing and field study including the assessment by experts.

          Studying the first found that hand playing's diciples of KruPrasitTavorn for the solo level were classified into 8 groups as 1. Beating in left and right hands separately. 2. Beating the both left and right hands in unison. 3. Beating the hands keeping by left hand control beating and right hand playing rhythm. 4. Beating in cross hands. 5. Beating in knuckle left and right hands into rhythm. 6. Beating by flicking to lead rhythm. 7. Beating by flicking down and up. 8. Beating by sweeping technique.

          The second found that creating Khong Wong Yai Solo style in hands playing of KruPrasitTavorn in total of 48 types to create solo style on the main rhythm of plengPhayanak 3 levels.

          The third found that using creating Khong Wong Yai Solo style of researcher and other artists have the first and the last movement creativity in the different and taking other solo experiences to create the linking rhythm with hands playing disciples of KruTavorn due to unadequate of playing types from KruPrasitTavorn for the all of this time creating.