A Comparative Study: An Analysis of Thai Mural Paintings in Early Rattanakosin period and Flat Design

Abstract

This academic article presents a comparative study between Thai mural paintings in early Rattanakosin era and flat design. The comparison is made using the principles of art composition by Chalood Nimsamer, divided into two main parts: form and content. The study identifies both similarities and differences to consider their applications.

The mural paintings in Early Rattanakosin era emerged during 1782-1851 CE. They were mostly created to decorate places and narrate Buddhist stories, as well as to reflect the thoughts and lifestyles of Thai people of that time. The characteristics of these murals are evidently two-dimensional, emphasizing width and length without depth, focusing on delicate forms. Human figures are depicted with dramatic gestures and bold, clear outlines. When compared to flat design, both similarities and differences are observed from various perspectives. Flat design shares notable similarities with the mural paintings of the aforementioned period, characterized by flatness and clear, sharp outlines. However, the content differs; mural paintings primarily depict Buddhist stories, while the narratives in flat design are more varied and depend on their intended use.

Despite the differences between traditional mural paintings and digital flat designs, there remains a connection that can be further developed for creative works in the future. Both types of images are designed to ìconveyî messages through ìmediumsî specific to their respective eras.