Appropriation Art in Contemporary Traditional Chinese Painting

Abstract

This research study explores Appropriation art in contemporary traditional Chinese painting through a qualitative research methodology. The aim is to study the concepts, styles, and creative processes of contemporary Chinese artists working within the context of Appropriation art. The study analyzes contemporary traditional Chinese painting artworks by three contemporary Chinese artists from the People's Republic of China who create works based on appropriation art: Xu Bing, Yang Yongliang, and Wang Qingsong. The results show that the concepts, styles, and creative approaches of contemporary Chinese artists working within Appropriation art contexts demonstrate overall consistency in direction. All artworks represent new creations rather than copies, reproductions, or repetitions of original works. Contemporary Chinese artists who create works within an Appropriation art context have developed their own identities while reflecting hidden meanings in their works. These meanings can be divided into three main issues: 1) Art History, 2) Social concerns, and 3) Environmental themes. Furthermore, each contemporary Chinese artist has a unique style in presenting their work, employing different techniques and materials for creative expression, including readymade objects, found objects, photography, installation art, and digital art.