Guidelines for Lifestyle Brand Identity Design Based on Cultural Capital: A Case Study of Isan Cubism
Keywords:
Brand Identity Design, Lifestyle Brand, Cultural Capital, CubismAbstract
This research aims to 1) analyze the cultural capital of the case study using synthesized best practice guidelines, 2) examine the destination image based on Cubist concepts, 3) analyze lifestyle brand strategies rooted in cultural capital, 4) analyze the consumer journey and brand touchpoints, and 5) define identity design guidelines for lifestyle brands based on cultural capital. The case study is “Isan Cubism,” a lifestyle brand that reinterprets local Isan culture through contemporary ceramic design. This study employed qualitative methods, including document analysis, best practice synthesis, case evaluation, and in-depth interviews.
The results reveal that Isan Cubism successfully integrates cultural capital through local wisdom, creative reinterpretation, community participation, and a unique Cubist-inspired visual identity based on khit textiles, hup taem murals, and wooden Buddha sculptures. These traditional artforms share clear visual structure and conceptual depth that align with Cubist principles such as abstraction, geometric fragmentation, and multi-perspective synthesis. The study also investigates lifestyle brand strategy, consumer segmentation, and brand touchpoints, leading to the synthesis of ten core components of brand identity. These components reflect the relationship between Cubist Destination Image and the Psychological of Lifestyle Segment. For instance, the logo should reflect geometric abstraction and fragmentation to convey the “ essence” over appearance. This reflects the values of Isan craftsmanship, including faith, simplicity, and authenticity. The typography, similarly, should emphasize structural rhythm and a unique visual language to express the brand’s cultural image. These design guidelines offer a strategic framework for creating brand identity that bridges traditional cultural meaning and modern lifestyle aesthetics.
References
Aleshawie, W. M. (2019). Cultural identity in graphic design. American International Journal of Contemporary Research, 9(4), 49-63. https://doi.org/10.30845/aijcr.v9n4p6
Amer, M. (2023). Cultural identity and branding: An integrated approach to enhance the heritage value (Doctoral dissertation, Università degli Studi Roma Tre). https://doi.org/10.13140/RG.2.2. 34737.35680
Baramizi. (2022). Creating Brand Experience through Brand Touchpoint Design. Retrieved from https://baramizi.co.th/branding/การสร้าง-brand-experience-ผ่านการออกแบ/
Bourdieu, P. (1986). The forms of capital. In J. Richardson (Ed.), Handbook of theory and research for the sociology of education (pp. 241–258). Greenwood Press.
Echtner, C. M., & Ritchie, J. R. B. (2003). The meaning and measurement of destination image. Journal of Tourism Studies, 14(1), 37-48.
Haryanto, B., Fabrianto, A., and Cahyono, E. (2019). Lifestyle and consumer preferences in choosing local or foreign brands: A study of consumer behavior in Surakarta-Indonesia. Journal Management Dan Kewirausahaan, 21(1), March, 74–88.
Holden, J. (2006). Cultural Value and the Crisis of Legitimacy: Why Culture Needs a Democratic Mandate. Demos. Kapferer, J.-N. (2008). The New Strategic Brand Management: Creating and Sustaining Brand Equity Long Term (4th ed.). London: Kogan Page.
Kavak, B., and Gumusluoglu, L. (2007). Segmenting food markets the role of ethnocentrism and lifestyle in understanding purchasing intentions. International Journal of Market Research, 49(1), 71-94.
Lemon, K. N., & Verhoef, P. C. (2016). Understanding customer experience throughout the customer journey. Journal of Marketing, 80(6), 69-96.
Lupton, E. (2014). Thinking with type: A critical guide for designers, writers, editors, & students (2 nd rev. ed.). Princeton Architectural Press.
Meyrick, T. A. (2022). Cultural codes of type: An investigation of typography used in cultural festival brandmarks (Doctoral dissertation, Swinburne University of Technology). Swinburne Research Bank.
Mpilo, D. (2024). Role of cultural heritage in luxury fashion branding in South Africa. International Journal of Fashion and Design, 3 (4), 1–13. https://doi.org/10.47604/ijfd.3012
Office of the Basic Education Commission. (2013). Guidelines for developing best practices in educational institutions. OBEC.
Prasitratshinsun, S., & Sukkasem, K. (2008). Qualitative research methodology: Present and future-oriented research. (2nd ed.). Samlada Publishing.
Punpeng, G. (2021). Thai Creative Industries In Flux. Retrieved from https://theaseanmagazine.asean.org/article/thai-creative-industries-in-flux/
Salamone, L. (2024). Inside Thailand's luxury boom: New celebrities, new money, new shops. Retrieved from https://www.nssmag.com/en/fashion/38905/boom-luxury-thailand-onebangkok
Schroeder, J. E. (2010). The cultural codes of branding. Marketing Theory, 9 (1), 123–126. https://doi.org/10.1177/1470593108100067
Throsby, D. (2001). Economics and culture. Cambridge University Press.
Tungate, M. (2009). Branded beauty: How marketing changed the way we look. Kogan Page.
Wheeler, A. (2017) . Designing brand identity: An essential guide for the whole branding team (5th ed.). Wiley.
Zukin, S., & Maguire, J. S. (2004 ). Consumers and Consumption. Annual Review of Sociology, 30, 173-197.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Faculty of Industrial Technology, Suan Sunandha Rajabhat University

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
บทความที่ได้รับการตีพิมพ์เป็นลิขสิทธิ์ของคณะวิศวกรรมศาสตร์และเทคโนโลยีอุตสาหกรรม มหาวิทยาลัยราชภัฎสวนสุนันทา
ข้อความที่ปรากฏในบทความแต่ละเรื่องในวารสารวิชาการเล่มนี้เป็นความคิดเห็นส่วนตัวของผู้เขียนแต่ละท่านไม่เกี่ยวข้องกับมหาวิทยาลัยราชภัฎสวนสุนันทา และคณาจารย์ท่านอื่นๆในมหาวิทยาลัยฯ แต่อย่างใด ความรับผิดชอบองค์ประกอบทั้งหมดของบทความแต่ละเรื่องเป็นของผู้เขียนแต่ละท่าน หากมีความผิดพลาดใดๆ ผู้เขียนแต่ละท่านจะรับผิดชอบบทความของตนเองแต่ผู้เดียว
