Intertextuality of communication of art: A case study of intertextuality of Thawan Duchanee’s work

Abstract

This research aimed to study the intertextuality of the form and the content of Thawan Duchanee’s painting to the secondary texts including its reasons. This research used qualitative research methods. The researcher used document analysis, textual analysis, field research and in-depth interviews with key informants to collect the data. The research found that the secondary texts could be divided into 3 types, i.e. imitation, extension/reduction, and modification that had an ascending distance from the primary text respectively. The secondary texts have respected the primary text. There were the secondary texts that were a visual art, an aural art, and an aural visual art that reproduced endless harmony with the contemporary context so that the work of Thawan Duchanee is always breath. Causing the expansion of the number of spectators, although the aura of the secondary texts has changed.