The influence of Chinese plant patterns on the development of Thai Buddhist plant patterns—A case study of the Bangkok dynasty period

Abstract

Buddhist botanical motifs are an important visual art for spreading Buddhist teachings and cultures of different regions. Chinese culture has always influenced Thai culture, of which Buddhist plant motifs are a clear example. However, there are fewer studies on the influence of Chinese plant motifs on the development of Thai Buddhist plant motifs, which is not conducive to developing and disseminating Buddhist plant motifs in the two countries. Therefore, the purpose of this research is to (1) study the influence and reasons of Chinese botanical motifs on the development of Buddhist botanical motifs during the Bangkok Dynasty period in Thailand (2) study the role of Buddhist botanical motifs as visual art in cultural exchanges and Buddhism and (3) study the importance of cultural exchanges for cultural development. This study adopts: (1) literature research method, (2) historical analysis method, and (3) comparative analysis method. The study found that although both China and Thailand have incorporated plants in Buddhist art, each country has its own unique culture, history, and religious culture so there are differences in symbolism and artistic expression. Buddhist plant motifs also promote cultural exchange and artistic integration between the two countries, Chinese culture inspires Thai art, and the commonality between China and Thailand in Buddhist plant motifs strengthens the cultural identity of the East Asian Buddhist circle. By exploring these questions, the study emphasizes the cultural significance and artistic integration facilitated by Buddhist plant motifs. The findings highlight their value not only as religious symbols, but also as mediums for cross-cultural dialogue and artistic innovation, contributing to a deeper understanding of the interplay between art, culture, and religion in East Asia.