Gender and power dynamics in Sanjay Leela Bhansali’s Padmaavat

Abstract

This article analyzes the gender and power interactions in Sanjay Leela Bhansali’s Padmaavat. An investigation was carried out on how traditional gender roles are dealt with, employing feminist theory with a specific focus on the concept of the male gaze. The film examines patriarchy, female agency, and idealized femininity, revealing how women are portrayed primarily through a male perspective that reinforces gender hierarchies. An in-depth textual analysis of key characters, specifically Rani Padmavati, Alauddin Khilji, and Maharawal Ratan Singh, is a necessary step in the process. Scholars argue that Padmaavat presents a multi-faceted idea of women's silence and rebellion, symbolizing both power and weakness. Maharawal Ratan Singh represents the epitome of manly values and heroism. Alauddin Khilji symbolizes male hegemony and authoritarianism at its worst, emphasizing the power dynamics established through the male gaze. The film positions Padmavati as an object of visual and narrative fascination, reinforcing traditional gender norms even as it attempts to challenge them. The primary data are derived from Bhansali’s film, Padmaavat, while the supporting data are derived from English journals, e-books, and other internet sources. This research paper helps us to understand how modern films project gender issues in India. Both challenging and reinforcing traditional gender conventions offer insight into power relations as well as the limits of female agency in patriarchal societies. This paper contributes to cultural studies on gender by providing insight into the cultural significance of Indian cinema and its portrayal of gender differences and power dynamics through the lens of the male gaze.