Siam folk tune “Lanna” for string orchestra

Abstract

This article discusses the compositional materials and process of “Lanna” for string orchestra based on folk tunes from Northern Thailand (Lanna). The composition comprises 6 movements for a duration of 50 minutes. The composer carefully selected folk tunes and rendered a balance between the borrowed ones and the newly composed materials through the careful mix of musical elements, including keys, melodies, rhythmic patterns, idioms, and re-created the sound to imitate the performance techniques of the original instruments. Certain Western compositional techniques were adapted to fit the original melodies in order to retain the identity of the work and provide a balanced blend of the original Eastern and the new Western melodies, thereby creating a new perspective of sound as well as an inspiration for other composers to continue crafting music in this genre. Traditional Lanna tunes, including Fon Phang, Pan Fai, Noi Chai Ya, and Lao Duang Dokmai are presented partly in multi movements to convey traditional melodies. Imitations of certain singing and playing techniques are also transcribed via selections of instruments in the ensemble, especially the violin solo, to portray both the authentic Lanna atmosphere and the blend of the two cultures.