Visual rhetoric: An alternative method of designing Luoshan shadow creative products
Main Article Content
Abstract
The Luoshan shadow puppet, which has a long history in China, is a multifaceted art form incorporating carving, performance, and painting. This art has also resulted in the production of numerous creative products. In the digital information age, visual symbols play an increasingly important rhetorical role in the Luoshan shadow creative products. The Luoshan shadow creative products have been designed to combine traditional cultural elements with modern aesthetics practically and artistically. This paper aims to investigate how visual rhetoric influences design innovation in the Luoshan shadow creative products and explain how it is used to design these creative products. A thematic analysis of comments and suggestions from 16 designers and academics was carried out, and a framework of roles and strategies for visual rhetoric to influence the Luoshan shadow creative product was suggested. The proposed framework incorporates a visual rhetorical approach and shows how it influences creative product designs. The exploration in this study adheres to a visual rhetorical model, with these approaches classified into four levels of innovation: innovative visual thinking, new visual connections, form following emotion, and formal restructuring to improve visual appeal. The framework also shows how the connection and overlap of visual rhetorical approaches contribute to how these products innovate and create new visual meanings.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
All rights reserved. Apart from citations for the purposes of research, private study, or criticism and review,no part of this publication may be reproduced, stored or transmitted in any other form without prior written permission by the publisher.
References
Atzmon, L. (2008). Forms of persuasion: The visual rhetoric of design artifacts. The Radical Designist, 2(1), Article 01/05.
Ballard, G., & Koskela, L. (2013). Rhetoric and design. In U. Lindemann, S. Venkataraman, Y. S. Kim, S. W. Lee., Y. Reich, & A. Chakrabarti (Eds.), DS 75-2: Proceedings of the 19th International Conference on Engineering Design (ICED13) (pp. 19–22). Design Society.
Buchanan, R. (1985). Declaration by design: Rhetoric, argument, and demonstration in design practice. Design Issues, 2(1), 4–22. https://doi.org/10.2307/1511524
Cimała, A. (2021). Visual rhetoric and architecture. Academic Journal of Modern Philology, 12(Special Issue), 35–42.
Cross, N. (2023). Design thinking: Understanding how designers think and work. Bloomsbury Publishing.
Danesi, M. (2017). Visual rhetoric and semiotic. Oxford research encyclopedia of communication. https://doi.org/10.1093/acrefore/9780190228613.013.43
Durgee, J. F. (2003). Visual rhetoric in new product design. Advances in Consumer Research, 30, 367–372.
Esslinger, H. (2012). Design forward: Creative strategies for sustainable change. Arnoldsche.
Foss, S. K. (2004a). Framing the study of visual rhetoric: Toward a transformation of rhetorical theory. In C. A. Hill, & M. Helmers (Eds.), Defining visual rhetorics (pp. 303–313). Routledge.
Foss, S. K. (2004b). Theory of visual rhetoric. In K. L. Smith, S. Moriarty, K. Kenney, & G. Barbatsis (Eds.), Handbook of visual communication (pp. 163–174). Routledge.
Gonen, E. (2020). Tim Brown, change by design: How design thinking transforms organizations and inspires innovation (2009). Markets, Globalization & Development Review, 4(2), Article 8. https://doi.org/10.23860/MGDR-2019-04-02-08
Greenwood, A., Lauren, B., Knott, J., & DeVoss, D. N. (2019). Dissensus, resistance, and ideology: Design thinking as a rhetorical methodology. Journal of Business and Technical Communication, 33(4), 400–424. https://doi.org/10.1177/1050651919854063
Guzzardo, C. (2017). Visual rhetoric and semiotics in scenic design: A pedagogical analysis [Master’s Thesis, University of Tennessee]. TRACE. https://trace.tennessee.edu/utk_gradthes/4877
Hawhee, D., & Messaris, P. (2009). Review essay: What’s visual about “Visual rhetoric”? Quarterly Journal of Speech, 95(2), 210–223. https://doi.org/10.1080/00335630902842095
He, W. (2021). Design and development of Luoshan shadow creative products based on styling art. Textile Industry and Technology, 50(5), 97–99. [in Chinese]
Hill, C. A., & Helmers, M. (2012). Defining visual rhetorics. Routledge.
Hsiao, S.-W., & Chou, J.-R. (2004). A creativity-based design process for innovative product design. International Journal of Industrial Ergonomics, 34(5), 421–443. https://doi.org/10.1016/j.ergon.2004.05.005
Kaufer, D. S., & Butler, B. S. (1996). Rhetoric and the arts of design. Routledge.
Kenney, K., & Scott, L. M. (2003). A review of the visual rhetoric literature. In L. M. Scott & R. Batra (Eds.), Persuasive imagery: A consumer response perspective (pp. 17–56). Routledge.
Kopper, A. (2014). Why Guernica became a globally used icon of political protest? Analysis of its visual rhetoric and capacity to link distinct events of protests into a grand narrative. International Journal of Politics, Culture, and Society, 27(4), 443–457. https://doi.org/10.1007/s10767-014-9176-9
Landoni, M., & Gibb, F. (2000). The role of visual rhetoric in the design and production of electronic books: The visual book. The Electronic Library, 18(3), 190–201. https://doi.org/10.1108/02640470010337490
Lengler, R., & Moere, A. V. (2009). Guiding the viewer's imagination: How visual rhetorical figures create meaning in animated infographics. In E. Banissi, L. Stuart, T. G. Wyeld, M. Jern, G. Andrienko, N. Memon, R. Alhajj, R. A. Burkhard, G. Grinstein, D. Groth, A. Ursyn, J. Johansson, C. Forsell, U. Cvek, M. Trutschl, F. T. Marchese, C. Maple, A. J. Cowell, & A. V. Moere (Eds.), IV 2009 Information Visualization: Proceedings of the 13th International Conference Information Visualisation (pp. 585–591). IEEE.
Liu T. (2018). What is visual rhetoric?—Three "rhetorical reviews" of visual issue research. Journal of China University of Geosciences (Social Science Edition), 18(2), 155–165. [in Chinese]
Olson, L. C. (2007). Intellectual and conceptual resources for visual rhetoric: A re-examination of scholarship since 1950. Review of Communication, 7(1), 1–20. https://doi.org/10.1080/15358590701211035
Oxman, R. (2002). The thinking eye: Visual re-cognition in design emergence. Design Studies, 23(2), 135–164. https://doi.org/10.1016/S0142-694X(01)00026-6
Pan, Y., Burnap, A., Liu, Y., Lee, H., Gonzalez, R., & Papalambros, P. Y. (2016). A quantitative model for identifying regions of design visual attraction and application to automobile styling. In M. Dorian, S. Mario, P. Neven, B. Nenad, & S. Stanko (Eds.), DS 84: Proceedings of the DESIGN 2016: 14th International Design Conference (pp. 2157–2174). Design Society.
Patton, T. O. (2020). Visual rhetoric: Theory, method, and application in the modern world. In S. Josephson, J. Kelly, & K. Smith (Eds.), Handbook of visual communication (2nd ed.) (pp. 125–138). Routledge.
Roy, R., & Group, D. I. (1993). Case studies of creativity in innovative product development. Design Studies, 14(4), 423–443. https://doi.org/10.1016/0142-694X(93)80016-6
Seliger, M. (2014). Visual rhetoric in design activism. In H. Barbosa & A. Calvera (Eds.), Tradition, transition, trajectories: Major or minor influences? Blucher Design Proceedings of the CDHS 2014: 9th Conference of the International Committee for Design History and Design Studies, Vol. 1, No. 5 (pp. 599–604). Blucher.
Sheridan, D. M. (2010). Fabricating consent: Three-dimensional objects as rhetorical compositions. Computers and Composition, 27(4), 249–265. https://doi.org/10.1016/j.compcom.2010.09.005
Sloan, T. O., Gregg, R. B., Nilsen, T. R., Rein, I. J., Simons, H. W., Stelzner, H. G., & Zacharias, D. W. (1971). Report of the committee on the advancement and refinement of rhetorical criticism. In L. F. Bitzer & E. Black (Eds.), The prospect of rhetoric: Report of the national developmental project, sponsored by Speech Communication Association (pp. 220–227). Prentice Hall.
Sweet, F. (1999). Frog: Form follows emotion. Thames & Hudson.
Tham, J. (2016). Visual rhetoric: Parallels and intersections of rhetoric and design studies. Studies in Visual Arts and Communication: An International Journal, 3(1). http://bit.ly/2oPLuy4
Van Erp, J. (2004, July 12–14). Design follows personality [Paper Presentation]. The 4th International Conference on Design & Emotion. Middle East Technical University, Ankara, Turkey. https://www.researchgate.net/publication/270903994_Design_Follows_Personality
Ware, C. (2010). Visual thinking for design. Elsevier.
Yan, J. F., Xu, R. R., & Li, Y. (2012). Research on the development of tourism products of Intangible Cultural Heritage--The case of Luoshan shadow puppets. Brand: Theory Monthly, (011), 80–80. [in Chinese]
Yang, L. L. (2022). Intellectual property protection of Intangible Cultural Heritage cultural and creative brands in traditional villages of Henan province--The case of Luoshan shadow. Legal Expo, (12), 8–11. [in Chinese]