Social Strengthening Based on Art Activities in Yogyakarta, Case Studies of Taring Padi and Ketjilbergerak
Main Article Content
Abstract
The development of art cannot be separated from the social values that occur around it, including Yogyakarta, which has a long history and is deeply rooted in social realism. In its development, social values have a large portion in the development of art in Yogyakarta, so rooted, realism has always been a solid identity, although sometimes in different entities and discourses. Of course the spirit of the times takes a big role in representing the artworks that are present in one period. The emergence of groups that invite people to respond to cultural and social symptoms through works of art thrives in Yogyakarta, such as the Taring Padi and Ketjil groups, a few examples of artistic groups whose work approaches are very close to the community and even involve the surrounding community to play an active role in their work. Not only representing, but these groups are also involved as part of the community, fighting for it and educating the community to have a better quality of life, no longer oppressed and get social justice in society.
Downloads
Article Details
All rights reserved. Apart from citations for the purposes of research, private study, or criticism and review,no part of this publication may be reproduced, stored or transmitted in any other form without prior written permission by the publisher.
References
Hasan, A. (2001) Dua Seni Rupa Sepilihan Tulisan Sanento Yuliman (Two Fine Arts Choices Written of Sanento Yuliman), Kalam, Jakarta.
Marianto, M. D. (2001) Surealisme Yogyakarta (Yogyakarta’s Surrelism), Merapi Rumah Penerbit, Yogyakarta.
Mildouho-Maldai, B. L. (1997) Menguak Luka Masyarakat, Beberapa Aspek Seni Rupa Indonesia Sejak 1966 (Exposing Society’s Wounds, Some Aspects of Contemporary Inonesian Art Since 1966), Gramedia Pustaka Utama, Jakarta.
Moran, L. (2010) What is Participatory and Relation Art?. Dublin: The Irish Museum of Modern Art.
Puspita, V. (2017) Praktik Seni Rupa Partisipatoris di Yogyakarta (Studi Kasus Ketjilbergerak dalam Proyek Sambung Rasa) ((Participatory Art Practice in Yogyakarta (Case Study of Ketjilbergerak in the Sambung Rasa’s Project)), Fine Art Final Projects, ISI Yogyakarta.
Witjaksono, B. (2018) Exhibition curatorial “Bara Lapar Jadikan Palu”, Taring Padi Bara Lapar Jadikan Palu (Taring Padi Hungry Coals Make Hammers), edited by I Gede Arya Sucitra and Nadiyah Tunnikmah, pp. 15-24. Galeri RJ Katamsi, Yogyakarta.
Yusuf, M. (2018) Taring Padi Berada, Taring Padi Bara Lapar Jadikan Palu (Taring Padi Hungry Coals Make Hammers), edited by I Gede Arya Sucitra and Nadiyah Tunnikmah, pp. 37-52. Galeri RJ Katamsi, Yogyakarta.