The creation of Art from Metal Waste with Participation of Young Volunteer in order to Raise Environmental Awareness

Main Article Content

Pasutt Kanrattanasutra

Abstract

The creation of art from metal waste with participation of young volunteers in order to raise environmental awareness aims to: 1) study the context of waste materials from industries, establishments, and shops, as well as environmental issues related to waste materials at the Ladkrabang Industrial Estate, Bangkok; 2) create contemporary art by synthesizing the knowledge of metal waste at the Ladkrabang Industrial Estate, Bangkok that entails inspiration and way to produce contemporary art to be aesthetic medium to raise awareness of the environmental problem; 3) give an opportunity for volunteer or community to participate in establishing a masterpiece and gain knowledge of the waste material. This research project contains the substances, perspectives, and concepts of the artists and designers regardless of the document-based research related to Conceptual art. This art makes activity and thought of relational art pertaining to the relationship between the “time,” which destroys the dividing lines of life and art. It emphasizes the process of viewers’ participation in the activity and the modification of space from the artistic to safe space and VDO documentary art which is a video recording real events or demonstrating a creative social environment known as a creative practice in the real thing. This practice displays through animation and the process of communicating reality via creative activities. The activity linking with art emphasizes the performing process more than the result, responds to the desire of social or community involvement. This project (that explores and aims to create innovative materials and new sustainable systems) pays attention to waste materials of beverage cans re-melted from the worthless to the liquid aluminum. Its fine materials can be further applied to create artwork through an artistic exchange of volunteers or the community.

Article Details

Section
Articles

References

Akkabootara, W. Sāra Sangkhēp Khō̜ng Sinlapa Lang Samai Mai Nai Khao Nō̜k - ʻō̜k Nai Rūam Bot Samphāt Læ Botkhwām Sinlapa Rūamsamai (2003 - 2005). [Summary of Postmodern in Khao Nork Ork Nai Collection of Interviews and Art Articles Contemporary (2003 - 2005)] . edited by Akkabootara, W. Bangkok: Icon Printing, 2005.

Ambrose, G. Design Genius: The Ways and Workings of Creative Thinkers. New York: Fairchild Books, 2014.

Anaras. “Pioneer in Video Art.” Fine Art Magazine. Accessed May 06, 2020. http://www.fineart-magazine.com/pioneer-in-video-art.

Bourriaud, N. Relational Aesthetics. France: Les Presses Du Ríeel, 2002.

Butler Curatorial. Dream: Critics Imagine Exhibitions. Montreal; Kingston; London; Chicago: McGill-Queen’s University, 2016.

Green Industry Promotion and Development Office. Khrōngkān ʻUtsāhakam Sīkhīeo Khūmư̄ ʻUtsāhakam Sīkhīeo Samrap Phūprakō̜pkān. [Green Industry Project Green industry guide for entrepreneurs]. 8th ed. Bangkok: Department of Industrial Works, 2017.

Lauritsen, R. Superflex: An Artist with 6 Legs: 253 Works, 20 Years, 8 Curators, 1 Exhibition. New York: Pernille Albrethsen, 2014.

Panaram, A. “Pasutt Kanrattanasutra Sinlapin Nak ʻō̜K Bǣp Pen Krabūankān Phư̄a Sư̄sān Rư̄ang Singwǣtlō̜m. [Pasutt Kanrattanasutra An artist-designer is a process to communicate environmental issues].” TCDC. Accessed May 06, 2020. https://hr.tcdc.or.th/en/Articles/Detail/Artventist.

Pollution Control Department. Nǣothāng Læ Khō̜kamnot Bư̄angton Kānlot Læ Chai Prayōt Khaya Mūnfō̜i. [PCD: Guidelines and Code of Practice for Waste Minimization]. 2nd ed. Bangkok: Pollution Control Department, 2005.

__________. Khūmư̄ Nǣothāng Kān Lot Khat Yǣk Læ Chai Prayōt Khaya Mūnfō̜i Samrap ʻāsāsamak Phithak Sapphayākō̜n Thammachāt Læ Singwǣtlō̜m Mūbān. [A Guidelines for Reducing, Separating and Using Solid Waste for the Volunteers to Protect the Natural Resources and Environment of the Village]. Bangkok: Ministry of Natural Resources and Environment, 2008.

Rodboon, S. Sinlapa Nai Rūpbǣp ʻIn Satō̜nlēchan Nai Sūčhibat Nithatsakān Kān Prakūat Sinlapakam Hǣng Chāt Khrang Thī 54. [Art in the style of Installation in Exhibition Catalog of the 54th National Art Exhibition]. Bangkok: Siam Tongkij Company Limited, 2008.

Studio swine. “Studio swine.” Studio Swine. Accessed April 8, 2019. https://www.studioswine.com.

Superflex. “Installation at Musac, Spain.” Superflex. Accessed May 12, 2019. https://superflex.net/tools/supergas_installation.

Tiravanija, R. “Rirkrit Tiravanija – Conceptualist & Anti-Object Artist.” Onarto. Accessed June 6, 2019. https://onarto.com/rirkrit-tiravanija-conceptualist-anti-object-artist.

Waysarath, P. Rāingān Kānwičhai Rư̄ang Kānmī Sūanrūam Khō̜ng Prachāchon Nai Kitčhakam Phư̄a Phatthanā Chonnabot. [Research Report on Public Participation in Activities for Rural Development]. Bangkok: Thai Khadi Research Institute, Thammasat University, 1995.

Wisalaporn, S. “Nūai Thī čhet Panhā læ Nǣonōm Kīeokap Kānmī Sūanrūam Khō̜ng Prachāchon. [Unit 7 Problems and trends in public participation in educational administration].” In Seminar on Issues and Trends in Educational Administration. Nonthaburi: Department of Education, Sukhothai Thammathirat Open University, 1994.