THAI DANCE CHOREOGRAPHY: SUWANMALEE AND SINSAMUT DRESSED FOR BATTLE

Abstract

This research article aims to design and creatively choreograph the performance while also evaluating the quality of the work through a creative research approach. The study gathered data from documents, textbooks, interviews, and observations from various sources. The collected information was analyzed and compiled to serve as foundational knowledge for the creative process. The research findings identified a 10-step process in creating choreography. It began with inspiration from the Phra Aphai Mani story, specifically the episode where Suwanmalee prepares Sinsamut for battle, leading to the creation of a paired dance showcasing their preparation. Information was gathered through interviews with seven experts to guide the creative process. A framework was developed, dividing the performance into three parts: announcing the battle, dressing for battle, and preparing to fight. Lyrics and music were adapted from Sunthorn Phu’s poetry, incorporating Malay elements to fit the storyline. Sinsamut performed a Mon Song Bath Dance, while Suwanmalee performed a Khaek Song Bath Dance. Two performers were selected to play the roles of Suwanmalee and Sinsamut. Dance movements were carefully designed to reflect the narrative, categorized into main movements, expanded movements, and transitions. Costumes were uniquely crafted to represent the characters and align with the battle theme, while props such as a bed, cosmetics, a mirror, and weapons were created to enhance the storytelling. The performance was then reviewed by experts in a focus group, and their feedback was used to refine the work. This improved version was prepared for dissemination, providing a model for creating similar paired dances and contributing to the improvement of Thai performing arts knowledge.