AFTER ACTION REVIEW BASED ON A MUSICAL ANALYSIS OF PLENG CHING STYLES FOR STUDYING IN THE WAY OF THE MUSICAL CREATION OF BASIC LESSON IN SPECIFIC STRING INSTRUMENT

Abstract

          The article was qualitative research. The purposes were to analysis of practical song and to synthesis the way to creation a basic lesson song suite. After action review in Thai Music is the reflection in order to using the knowledge to develop inside of education and art work. The results finding show that firstly, Ching Mu Long song (Ching styles) was the fingering song and faster rhythm. Thon Pleng Ching song (Prob Kai styles) was the fundamental song and slowly rhythm. Songs were similarity and different. The similarity was not complicated and normal. The different was variety of repetition in Ching Mu Long. Secondly, five guidelines to musical creation; 1) Mixing a composition styles by conservative and creativity. 2) Using by Yued Yub style and short melody. Repetition is a variety; same phrase, some phrase, translation, and within section. Melodic contour consist of standing style, collated note, and Keb pattern. 3) Rhythm should be medium and faster. 4) Using a string ensemble. 5) Song playing will begin by Inception part; Kurn Ton Song. Main part; Yam Sam Nuan Song, Chuan Kid song, Mid Sa Marn song, and Pha Sarn Ros song. Closure part; Long Job song. Also, Cherm Tao Wan song will connect to four songs in the main part.