The Transformation of Screenwriting Processes in the Age of Artificial Intelligence
Main Article Content
Abstract
This article examines the transformation of screenwriting processes in the age of artificial intelligence by analyzing the role of AI in screenplay creation, and the issues surrounding creativity, ethics, and authorship. This study employed documentary analysis alongside qualitative meta-synthesis of academic articles, research studies, and books related to artificial intelligence and screenwriting. Data were collected from academic databases, including Scopus, ScienceDirect, and Google Scholar, using keywords such as “Artificial Intelligence,” “Screenwriting,” “Generative AI,” and “AI in Film Industry.” The reviewed literature spanned publications from 2019–2026. The inclusion criteria comprised peer-reviewed academic sources directly related to the application of artificial intelligence in screenwriting processes. The collected data were then analyzed using content analysis and synthesized to identify key themes and findings.
The findings reveal that artificial intelligence has significantly transformed screenwriting processes, including idea development, plot design, dialogue generation, and script revision for production. AI has enhanced efficiency, reduced costs, and shortened production time. However, the use of artificial intelligence also affects artistic originality and cultural diversity in storytelling, as AI systems tend to generate content based on patterns in training data. In addition, ethical concerns have emerged regarding copyright, the use of data for model training, and the definition of authorship and ownership of creative works. This transformation reflects not only technological change but also a cultural shift, requiring screenwriters to adapt and collaborate with artificial intelligence in creative and ethical ways.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Views and opinions appearing in articles in the Journal of Arts of Management It is the responsibility of the author of the article. and does not constitute the view and responsibility of the editorial team I agree that the article is copyright of the Arts and Management Journal.
References
Cake, S. (2025). Artificial intelligence as a collaborative tool for script development. Media Practice and Education, 26(3), 302–317. https://doi.org/10.1080/25741136.2025.2454074
Clark, B., Spohr, S., Higginbotham, D., & Bakhru, K. (2019). The guide to managing postproduction for film, TV, and digital distribution: Managing the process (3rd ed.). Routledge.
Cristanto, L. V., & Imanjaya, E. (2025). AI and scriptwriting: A new threat?. Journal of Theoretical and Applied Information Technology, 103(13), 4912-4920. https://www.jatit.org/volumes/Vol103No13/33Vol103No13.pdf
Dayo, F., Memon, A. A., & Dharejo, N. (2023). Scriptwriting in the age of AI: Revolutionizing storytelling with artificial intelligence. Journal of Media & Communication, 4(1), 24–38. https://doi.org/10.46745/ilma.jmc.2023.04.01.02
Davaasambuu, T. (2025). Film production artificial intelligence use. Art and Design Review, 13, 210-220. DOI:10.4236/adr.2025.133016
Department of Intellectual Property. (2022). Copyright Act B.E. 1994 and Its Amendments (No. 5) B.E. 2022. Ministry of Commerce, Thailand.
Doshi, A. R., & Hauser, O. P. (2024). Generative AI enhances individual creativity but reduces the collective diversity of novel content. Science advances, 10(28), eadn5290. https://doi.org/10.1126/sciadv.adn5290
Floridi, L. (2023). The Ethics of Artificial Intelligence: Principles, Challenges, and Opportunities. Oxford University.
French, L. (2025). Authorship, creativity, authenticity and originality in the media and creative industries in the age of artificial intelligence. ResearchGate. https://www.researchgate.net/publication/394748376
Harvard Law Review. (2025). Artificial intelligence and the creative double bind. Harvard Law Review, 138(3), 502–529. https://harvardlawreview.org/print/vol-138/artificial-intelligence-and-the-creative-double-bind
Larson, C. (2024). Artificial authorship on the big screen: Regulating AI in scriptwriting. UC Law SF Communications and Entertainment Journal, 47(1), 27–50. https://repository.uclawsf.edu/hastings_comm_ent_law_journal/vol47/iss1/3/
Lo Duca, A., & Rotelli, D. (2026). Experimenting with generative AI in screenwriting for film schools. In Dipace, A., Limongelli, C., Marras, M., Pagliara, S.M. (eds) Artificial Intelligence with and for Learning Sciences. Past, Present, and Future Horizons. WAILS 2025. Lecture
Notes in Computer Science, 16438. Springer, Cham. https://doi.org/10.1007/978-3-032-17604-2_10
Mahdavi, T. (2025). screenwriting meets intermediality: A collaborative media practice for script development. School of Arts and Communication, Malmo University. https://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-79601
McCosker, A., & Wilken, R. (2020). Automating vision: The social impact of the new camera consciousness. Routledge.
Mok, A. (2025, August 22). Screenwriters are wrestling with AI's role in Hollywood-and what it means for the future of storytelling. BUSINESS INSIDER. https://www.businessinsider.com/ai-screenwriting-tools-hollywood-film-tv-studios-writers-2025-8
Nelmes, J. (2019). The Screenwriter in British Cinema. British Film Institute.
Rajas, M., & Gertrudix, M. (2025). Generative artificial intelligence in audiovisual screenwriting. In A. Baraybar-Fernandez, S. Arrufat-Martín, & B. Diaz Diaz (Eds.), The AI Revolution, 94-109. Springer. https://doi.org/10.1007/978-3-031-80411-3_8
Rafner, J., Beaty, R. E., Kaufman, J. C., Lubart, T., & Sherson, J. (2023). Creativity in the age of generative AI. Nature Human Behaviour, 7(11), 1836–1838. https://doi.org/10.1038/s41562-023-01751-1
Rathiuksha, C., & Kumar, V. (2025). Human-AI collaboration in creative arts: Exploring co-creation and artistic expression. International Journal for Research Trends and Innovation, 10(6), 351-354. https://www.ijrti.org/papers/IJRTI2506143.pdf
Riski, W. N., & Abidin, Z. (2024). Artificial intelligence (AI) in film script writing. Capture: Jurnal Seni Media Rekam, 15(1), 1–15. https://doi.org/10.33153/capture.v15i1.5621
Tang, Y., Li, H., Lan, M., Ma, X., & Qu, H. (2025). Understanding screenwriters’ practices, attitudes, and future expectations in human-AI co-creation. Cornel University. https://arxiv.org/abs/2502.16153
Vainikka, E., Soronen, A., & Kallio, S. M. (2025). Is prompt engineering the future of screenwriting? Views from screenwriters and commissioners. Critical Studies in Television: The International Journal of Television Studies, 20(1), 54-72. https://doi.org/10.1177/17496020241269277
Warabuntaweesuk, P., Thengprasert, P., Suwannarat, T., & Janepumisart, N. (2024). The application of generative AI in the film industry and related legal concerns. BU Academic Review, 23(1), 181-200. https://so01.tci-thaijo.org/index.php/buacademicreview/article/view/273103
World Intellectual Property Organization (WIPO). (2023). Intellectual property and the creative economy. https://www.wipo.int/portal/en/index.html
World Intellectual Property Organization (WIPO). (2024). Artificial intelligence and intellectual property policy. https://www.wipo.int/en/web/frontier-technologies/artificial-intelligence/conversation
Xu, Y. (2025). Balancing creativity and automation: The influence of AI on modern film production and dissemination. Cornell University. https://arxiv.org/abs/2504.19275