The Development patterns of “Glong Yao Performing” in Mahasarakham Province
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Abstract
This article is written from research “The Development patterns of “GlongYao Performing” in Mahasarakham Province”. Funded by the Academic Research Division; The Thailand Research Fund for the year 2015. It was done with qualitative research and ethnomusicology studies. The aims were 1) to analyze the pattern of drum performances in Mahasarakham and 2)to find ideas on how to develop patterns of a “Glong Yao” in Mahasarakham province. Using data collected from the field work,Artists and professionals.Use a descriptive analysis showed the following.
The patterns of “GlongYao Performing” in Mahasarakham Province includes three models: 1. original form, 2. Application form. And 3. The patterns for the tournament.
And aDevelopment of the concept of the show is. The original forms should be preserved, The application forms and the pattern for the competition can be developed in every element of the performing. Having regard to the fun, beautiful and unison of performances and the suitability of the place and occasion. And focuses on the concept of the performing is important for the pattern for the competition.
Article Details
บทความที่ได้รับการตีพิมพ์เป็นลิขสิทธิ์ของวารสารมนุษยศาสตร์และสังคมศาสตร์ มหาวิทยาลัยอุบลราชธานี
ข้อความที่ปรากฏในบทความแต่ละเรื่องในวารสารวิชาการเล่มนี้เป็นความคิดเห็นส่วนตัวของผู้เขียนแต่ละท่านไม่เกี่ยวข้องกับมหาวิทยาลัยอุบลราชธานี และคณาจารย์ท่านอื่นๆในมหาวิทยาลัยฯ แต่อย่างใด ความรับผิดชอบองค์ประกอบทั้งหมดของบทความแต่ละเรื่องเป็นของผู้เขียนแต่ละท่าน หากมีความผิดพลาดใดๆ ผู้เขียนแต่ละท่านจะรับผิดชอบบทความของตนเองแต่ผู้เดียว
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