Drum Set Playing in Lum Performances: Developmemt and Playing Techniques

Abstract

This qualitative study aims to investigate 1) the development of the use of a drum set in Mor Lam (a traditional folk musical storytelling performance of Northeastern Thailand) 2) drumming techniques and 3) characteristics. Relevant documents, visual and audio recordings, field data collection by means of participant and non-participant observations, formal and non-formal interviews, conversations with Mor Lam artists, and handwritten records were applied to the analysis.

The study finds that the use of a drum set was introduced by ‘Rangsiman’, a famous Mor Lam band in Ubon Ratchathani Province. It was the band leader, Komin Panthu who brought up the idea of incorporating Western musical instruments into their shows. Rangsiman’s drum pattern and fill-in were adapted from those of Ram Tone or Ram Wong music.

The drumming techniques have significantly progressed particularly their rhythmic pattern. Their original rhythmic pattern is enlivened by hi-hat cymbals, additional notes in e and a, drum fills that consist of eighth and sixteenth notes as well as a fill in that ends in “&” of the last beat.     

The characteristics of the band’s drumming style can be seen from the open-handed playing technique, the unique drum patterns and fill in that have led to new terms, namely Mor Lam Pattern and Mor Lam Fill In.