J.S. BACH'S SUITE NO.1 FOR SOLO CELLO, APPLYING BAROQUE CELLO TECHNIQUES TO INTERPRETATION

Abstract

This research aims to explore the Baroque musical practices in the performance of Johann Sebastian Bach’s Cello Suite No. 1 in G Major, BWV 1007, focusing on the historically informed interpretation and techniques that align with the composer’s intent. Aspects of exploration include the musical structure of the piece and its performance techniques in the 18^th century, from sitting position, bowing, articulation, ornamentation, use of vibrato, dynamic, and execution of chords. The researcher will practice and study the piece using a modern cello and a recreated Baroque bow. The research findings will demonstrate how Baroque sitting position, bowing techniques, and other methods contribute to creating a unique sound texture which is markedly different from contemporary cello playing styles. Furthermore, the researcher will propose an interpretative approach concerning the use of vibrato, execution of chords, varying dynamics and articulation to form clear and articulated phrases in the performance of the piece, while maintaining its distinctive Baroque suite structure.