DOCTORAL MUSIC CONDUCTING: THE SYMPHONIC MUSICAL LEGACY FOR CONTEMPORARY WINDS

Authors

  • THANACH CHAWAWISUTTIKOON Faculty of Fine and Applied Arts, Chulalongkorn University
  • WEERACHAT PREMANANDA Faculty of Fine and Applied Arts, Chulalongkorn University

Keywords:

Conducting, Wind Orchestra, Wind Symphony

Abstract

           The art of conducting, one of the most complex and demanding activities in the realm of music. The Conductor’s role in music has been the most important part of practice from the very beginning to the performance. The conductor also be the music director as well to give all the music details about the expression, harmonic details, interpret the score in styles. To achieve the process. The conductor has to researches the music score in detail. Reading through the score giving the time to study a score to gain knowledge of the work such as dynamic shape, key structure, the balance of the tunes and emotional sequence. To be able to resolve the situations and rebalance the harmony, tone color and dynamic.

          The objectives of my research are to research on the rehearsal problems and to present the effective practicing technique of the Wind Orchestra, to present the unique method of interpreting Wind Orchestra literature and to disseminate the knowledge of unique conducting technique to music society, Through the three performances in the name of doctoral music conducting: the symphonic musical legacy for contemporary winds. Hopefully, my contribution will be a benefit to other musicians and the public.

 

References

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ราชบัณฑิตยสถาน. พจนานุกรมฉบับราชบัณฑิตยสถาน พ.ศ. 2554. พิมพ์ครั้งที่ 2. กรุงเทพฯ : นานมีบุ๊คส์, 2556.

Boult, Adrian C. A Handbook on the Technique of Conducting. London: Paterso, 1968.

Reed, Alfred. Armenian Dances (Part I). New York: Sam Fox, 1972.

Vartabed, Gomidas. "Biography." https://www.britannica.com/biography/Komitas.

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Published

2021-12-28

Issue

Section

บทความวิจัย | Research Article