LEIZHOU STONE DOGS IN FOLK LEGENDS AND CULTURAL SYMBOLISM: NARRATIVE EXPRESSION AND SYMBOLIC MEANING IN SCULPTURAL ART

Abstract

Introduction: This study explores the stone dog sculptures of the Leizhou region during the Ming and Qing dynasties, focusing on their cultural symbolism and sculptural expression. These stone dogs are deeply embedded in local folk beliefs and serve as powerful symbols of guardianship and identity in traditional communities. Objective: This study aims to: 1) examine the folk legends, sculptural forms, and symbolic meanings of Leizhou stone dogs during the Ming and Qing dynasties through the perspectives of semiotics, sculpture, and cultural heritage conservation; and 2) investigate their roles in shaping local cultural identity and reflecting historical development. Methods: The study employs a multi-method approach integrating folklore studies, semiotics, sculpture analysis, and cultural heritage theory. Data were collected through literature review, field investigation, visual semiotic analysis, and comparative study of stylistic features to interpret aesthetic and symbolic dimensions. Results: Findings show that Leizhou stone dogs are not only spiritual guardians but also carriers of social class symbols and collective memory. Their carved motifs such as lotuses, thunder patterns, and ancient coins reveal a visual language that reflects the community’s cultural values and historical evolution during the Ming and Qing periods. Conclusion: Through systematic semiotic analysis, this study contributes to the theoretical foundation for cultural transmission, tourism-based cultural innovation, and intangible heritage preservation. It also expands the academic understanding of folk sculpture art by linking historical iconography with contemporary cultural applications.