STYLE AND NARRATIVE STRUCTURE OF MOCKUMENTARY FILMS IN THAILAND

Abstract

This study is basically a qualitative research. The objectives are to study the style and general characteristics of mockumentary films and to analyze the storytelling method and structure of mockumentary films in Thailand, using descriptive analysis and in-depth interview of 5 scholars and filmmakers.The films used in this analysis include The Lost Case (2017) and The Medium (2021).The results of the analysis are as follows. Both films use similar style or cinematic techniques as documentary films in general. As for the storytelling methods, the two films follow the same principles as those of feature films shown in theaters, i.e. a central plot, theme, conflict, characters, setting, special symbols and narrative point-of-view. In addition, they convey the traditional belief about ghosts that ghosts do exist and are a representation of other-ness. They are clearly different from human beings, both in terms of external appearance and supernatural power. The films also convey the belief that ghosts or spirits are beings that can exercise power over humans. Ghosts are scary. They help take care of sick people who are in need of refuge and mental comfort, performing as the medium or exorcism. Such a belief is known as Animism. Notably, this has been a religious belief since the beginning of mankind. At the same time, there are attempts to create new meanings and new interpretations of ghosts according to the trend of belief in society at various points in time. The presentation of ghosts alongside folk legends while adjusting to the society, culture and belief pattern thus reflect the crisis, anxiety and social problems of each corresponding era. Hence, the fact that mockumentary films in Thailand continue to focus on ghosts and supernatural events is based upon human experience which position these topics as social and cultural phenomena.