การออกแบบเสียงเพื่อสร้างศานติภาวะในการแสดง จากผลงานของซามูแอล เบ็คเก็ต และโอตะ โชโกะ

Abstract

This creative research aims to explore the creative and design process for creating “Shanti Bhava” in performance through a combination of a variety of soundscape or acoustic environment, surround sound system and use a theory of Bhava and Rasa which is in Natayasatra of India for phenomenon explanation of actors and audience. The research methodologies involve the creation of audio drama from Samuel Beckett's “All That Fall” radio drama and a theatre from Ota Shogo's “The Water Station” and a survey of actors and audience attitude toward the performance. The research shows that audio drama and theatre with surround sound system can be used to communicate issues and messages , however Sound designer should understand a story and concern for audience culture and potential, a venue and the equipment use and convention of a play. The result shows that surround sound system theatre can support actors. The survey of audience attitudes shows that most people chose to attend surround sound system performance for its quality of sound and spectacle more than a plot or a story. And visually-impaired audience have an advantage within the imagination to understand the story than normal audience.