Cultural Relations in Performing Arts of Thailand and Cambodia: A Case Study of Lakhon Nai and Lakhon Preah Reach Troap

Abstract

    This qualitative descriptive research analyzes similarities and differences in content as well as performance processes and elements between court dances of Thailand and Cambodia. Case studies are done of Lakhon Nai and Lakhon Preah Reach Trop. Data is collected from documents, including books and academic publications, as well as participant and non-participant observation. Performance elements are compared, including costumes, musical ensembles, song and accompaniments, scripts, choreography, preludes, and prayer ceremonies. Results are that Lakhon Nai and Cambodian Lakhon Preah Reach Trop are royal court drama art forms employed by monarchies as royal regalia. Lakhon Nai has influenced the development of Robam Preah Reach Trop, which evolved into a distinct dramatic genre. Despite this unique Cambodian aspect, shared elements remain perceptible. Lakhon Nai is echoed in Cambodian choreography, costumes, music, ensembles, and preludes. These findings reflect cultural transmission and exchange between Thailand and Cambodia in the performing arts.