พวงหรีด : วัฒนธรรมตะวันตกที่งอกงามในประเพณีไทย
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มิ.ย. 3, 2017
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พวงหรีด วัสดุเหลือใช้
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บทคัดย่อ
พวงหรีดเป็นสัญลักษณ์แสดงความไว้อาลัยที่ไทยรับธรรมเนียมปฏิบัติจากชาติตะวันตก แล้วนำมาดัดแปลงและเพิ่มเติมในด้านการตกแต่งและประโยชน์ใช้สอยจนมีรูปแบบและวิธีการนำมาใช้ที่แสดงเอกลักษณ์ของไทย พวงหรีดได้รับความนิยมมากในสังคมไทยและนับวันจะยิ่งทวีขึ้น จนอาจกล่าวได้ว่ามีพวงหรีดในทุกงานศพ มูลค่าของพวงหรีดที่ใช้ในแต่ละปีจึงสูงมาก แต่เนื่องจากพวงหรีดใช้งานได้เพียงครั้งเดียว ย่อมไม่คุ้มค่าต่อจำนวนเงินที่จัดซื้อ จึงมีแนวคิดในการตกแต่งพวงหรีดด้วยวัสดุที่นำไปใช้ประโยชน์ได้อีก เช่น ผ้าห่ม ผ้าขนหนู และการตกแต่งพวงหรีดด้วยดอกไม้ใบไม้ที่ประดิษฐ์จากวัสดุเหลือใช้ เช่น กระดาษ ซองกาแฟ (Reuse และ Recycle) ซึ่งจะช่วยเพิ่มมูลค่าวัสดุเหลือใช้และอนุรักษ์ทรัพยากรด้วย
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Ngamsakoo, R. (2017). พวงหรีด : วัฒนธรรมตะวันตกที่งอกงามในประเพณีไทย. วารสารกระแสวัฒนธรรม, 18(33), 79–95. สืบค้น จาก https://so02.tci-thaijo.org/index.php/cultural_approach/article/view/88527
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Academic Article
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[6] Narisara Nuwattiwong, Prince., & Damrong Rajanubhab, Prince. (1974). Sarn Somdej. Bangkok: Praepittaya Printing.
[7] Nawigamune Anake. (1988). Advertising in Thailand. Bangkok: Sangdad Printing.
[8] Nawigamune Anake. (2016, 23 April). Interview. Academic Writing Antique Collectors and Museum Founder.
[9] Phlainoi Sombat. (1998). “Wreath” Ru Roi Pad. Nontaburi: Sarakadee Printing. (in Thai)
[10] Phlainoi Sombat. (2016, 6 April). Interview. The National Artist Literature 2553.
[11] Royal Academy. (1982). Royal Publishing Institute Dictionary 1982. Bangkok: Aksorn Charoentad Company.
[12] Sankewa Jaroen. (2016, 12 February). Interview. Artificial Flowers from Sesbania.
[13] Sathiankoset. (1939). Praphenee Nueng Nai Karn Tai. Bangkok: National Library. Personnel Encyclopedia. (in Thai)
[14] Tongcharoenbaungam, Boonchai. (2016, 13 May). Interview. A Deal in His Work. Staff Development Division of Fine Arts and Crafts Palace. Master Craftsman School in Wang (male).