Tuay Somma Khaotok Mongkon

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Chomphunat Chomphuphan
Sitthichock Namwong
สังคม พรหมศิริ
สรินทร คุ้มเขต
จุฑาภรณ์ วิลัยแก้ว
ผุสดี โกมาสถิตย์
ศิริลักษณ์ กันยา
et al.

Abstract

This research aimed at 1) to create thai folk dance which is called Tuay Som-ma Khao-tok Mong-kon, and 2) to relay and present Thai folk dance which is called Tuay Som-ma Khao-tok Mong-kon. The target group used in the research consisted of 15 local people, 3 dramatic arts teachers, 12 students of program in dramatic arts, Loei Rajabhat University. The research was carried out by qualitative method. The findings were as followings. 1) The creation of Thai folk dance called Tuay Som-ma Khao-tok Mong-kon has found the executing processes were divided into 5 states, including of (1) scope the specification of studying area (2) concept specification of dramatically danced set (3) define performance pattern (4) scope the specification of acting composition (5)create dancing style and vary row. The performance style presented in the form of creating Thai folk danced style, that the researchers composed the music, song, the dresses and props, and this shows impart idyllic and local tradition, and consistent with the local context. 2)  Relay and presentation of these Thai folk dances has yielded in 4 aspects; the first is the dramatic conception, to apparently show the importance of Khao-tok (popped rice) in the way of I-san people style, the second is about the acting pattern which is presented in a simple way of life, humble gesture, fun and unique. The third is the configuration of music which is relatively set with acting concept as well as including of the text of a song to clearly understand the meanings and suitable for dance, dress and props are appropriate. The fourth is to create the dance design is comprehensive definition of content; the variation row in individual acting treatment may also makes to excellent interesting.

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