The Technique of Creation of the “Nang Yai” for the Contemporary Shadow Puppetry “Sudsakorn Catch Manil Mangkorn” Case Study: Nang Yai Wat Barn Dorn Large Shadow Puppets (Nang Yai) from Wat Baan Don: The Creation of Puppets for the Contemporary Shadow Puppetry “Sudsakorn Captures the Black Dragon Horse”

Abstract

“Nang Yai” is a prestigious traditional performing art of Thailand that has been passed down for generations, seamlessly blending literature, painting, sculpture, dance, and music. The creation of Nang Yai demands meticulous craftsmanship and expert skill at every stage.  Currently, the Nang Yai Wat Barn Dorn troupe has adapted its performance to align with contemporary contexts by presenting the story of Phra Aphai Mani, specifically the episode where “Sudsakorn Catch Manil Mangkorn”. This innovative production is a collaboration between the troupe and the research of Professor Noppon Jamreantong. As part of this modernization, three new Nang Yai characters have been introduced; 1) Sudsakorn Catch Manil Mangkorn 2) Manil Mangkorn 3) Sudsakorn Catch Manil Mangkorn. Despite these creative adaptations, traditional production techniques, including leather preparation, pattern design, cutting, painting, and attaching leather clamps, remain integral to the craft. While some materials have been updated for practicality, the aesthetic essence of Nang Yai is preserved.  This project exemplifies the fusion of tradition and innovation, inspiring a new generation of artists to engage in the conservation and evolution of this remarkable Thai performing art.