Relationship of Contrast: A Visual Exploration of Urban Transformation in Chinese Cities
Article Sidebar
Main Article Content
บทคัดย่อ
This paper explores the dynamic interplay between urban and rural environments through the lens of visual arts, specifically traditional Chinese painting. The study draws parallels between the celestial balance in the universe and the coexistence of contrast and harmony within human societal structures, focusing on the evolving urban landscapes of Qingdao, Shandong Province. The research intertwines extensive data collection, including field photography and literature review, with a creative process that employs Chinese brush and ink techniques. The artworks produced during the study articulate the contrasts between rural and urban settings using varied colors, lines, and forms, thereby bringing to life the thematic essence of urban-rural interplay. The journey of creation, documented through pre-thesis and thesis artwork, reveals a deepening understanding and nuanced expression of the contrasting dynamics in these environments. The study extends beyond mere artistic representation, delving into the socio-cultural implications of these contrasts and their resonance in contemporary society. The paper concludes with suggestions for artists and individuals interested in exploring urban and rural themes, emphasizing the importance of integrating art with daily life, experimenting with various artistic mediums, and engaging in cross-disciplinary collaboration. ‘Relationship of Contrast’ not only showcases artistic prowess but serves as a conduit for deeper societal reflection, underscoring the influential role of art in interpreting and influencing societal and cultural dynamics.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
เนื้อหาและข้อมูลที่ได้รับการเผยแพร่ในวารสารวิพิธพัฒนศิลป์ ถือเป็นข้อคิดเห็นและความรับผิดชอบของผู้แต่งเท่านั้น โดยกองบรรณาธิการวารสารไม่มีส่วนรับผิดชอบต่อเนื้อหาหรือข้อคิดเห็นใด ๆ ที่ปรากฏในบทความ
References
Amory, D., & Dumas, A. (2023). Vertigo of Color: Matisse, Derain, and the Origins of Fauvism. Metropolitan Museum of Art.
Bochner, A. P., & Ellis, C. (2003). An introduction to the arts and narrative research: Art as inquiry. Qualitative Inquiry, 9(4), 506-514.
Chandler, D. (2022). Semiotics: The Basics. Routledge.
Clunas, C. (2017). Chinese painting and its audiences, Vol. 61. Princeton. Princeton University Press.
Crow, D. (2022). Visible Signs: An Introduction to Semiotics in the Visual Arts. Bloomsbury Publishing.
Dongsong, W. (2010). A reexamination of regionalism in Chinese painting in the context of globalization. In Crouch, C. (Ed.) Contemporary Chinese Visual Culture. Cambria Press.
Grusec, J. E., & Lytton, H. (2012). Social Development: History, Theory, and Research. Springer Science & Business Media.
Huang, L. L. (2016). Interpersonal harmony and conflict for Chinese people: A yin–yang perspective. Frontiers in Psychology, 7, 847.
Kindler, A. M. (2005). Creativity and education: A discourse informed by perspectives of three contemporary Asian artists. International Journal of Arts Education, 3(2), 88-105.
Kunzmann, K. R. (2019). Illustrations: Discovering Qingdao. Planning Theory & Practice, 20(1), 148-155.
Leaper, C. (2011). More similarities than differences in contemporary theories of social development? A plea for theory bridging. Advances in Child Development and Behavior, 40, 337-378.
Li, C. (2006). The Confucian ideal of harmony. Philosophy East and West, 54(4), 583-603.
Li, Y. (2019). The philosophy of five elements and the idea of Chinese painting. 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Atlantis Press.
Liu, F., & Liu, C. (2019). Regional disparity, spatial spillover effects of urbanisation and carbon emissions in China. Journal of Cleaner Production, 241, 118226.
Lomas, T. (2021). Life balance and harmony. International Journal of Wellbeing, 11(1).
Luhmann, N. (2000). Art as a Social System. Stanford University Press.
Ma, L., Liu, S., Fang, F., Che, X., & Chen, M. (2020). Evaluation of urban-rural difference and integration based on quality of life. Sustainable Cities and Society, 54, 101877.
Madani, M. (2019). Social Conurbation as a Justifiable Urban-Sprawl Repercussion. International Journal of the Constructed Environment, 10(1), 29.
Millard, C. W. (1976). Fauvism. The Hudson Review, 29(4), 576-580.
Newman, B. M., & Newman, P. R. (2022). Theories of Human Development. Taylor & Francis.
Peng, P. (2017). On the Space-depiction techniques of Chinese traditional architectural drawings. 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Atlantis Press.
Qiao, G., Wang, L., & Du, P. (2023). Contradiction or harmony? Spatial and temporal relationships between new urbanization and rural revitalization in the Yellow River Basin from a coupling perspective. PloS One, 18(7), e0288600.
Sundararajan, L. (2020, 28 February). A history of the concepts of harmony in Chinese culture. In Oxford Research Encyclopedia of Psychology. https://oxfordre.com/psychology/view/10.1093/acrefore/9780190236557.001.0001/acrefore-9780190236557-e-679
Thomas, E. (2011). Primary colors. Journal of Art Historiography, 5, 1.
Tian, L., Guo, X., & Yin, W. (2017). From urban sprawl to land consolidation in suburban Shanghai under the backdrop of increasing versus decreasing balance policy: A perspective of property rights transfer. Urban Studies, 54(4), 878-896.
Unseld, F. (2022). Making Art Work: Articulating Art and Urban Marginality in Kisumu, Kenya (Doctoral dissertation, University of Basel). Basel, Switzerland.
Wang, P., & Bell, D. A. (2022). Qingdao: the city of ideals. Critical Review of International Social and Political Philosophy, 25(5), 667-682.
Yuxiang, Z., Xilai, Z., Chun, L., Feng, Y., & Hongyu, W. (2011). The development strategy for industrial clusters in Qingdao. Energy Procedia, 5, 1355-1359.