The Solo Variation for the So U in Phleng Ching Mu-long Chan Diao

Abstract

          This research aims to create the solo variation played in the so u (Thai alto two-stringed fiddle) in the piece called Phleng Ching Mu-long Chan Diao based on qualitative research methods focusing on the creation of the solo variation. 

          The research found that Phleng Ching Mu-long Chan Diao is one of the Thai classical pieces played in chan diao metric level with three sections, and it is a selection of pieces played as the musical selection called Phleng Ruang Ching Phra Chan. Mostly, Phleng Ching Mu-long Chan Diao has been used as an exercise piece for various Thai musical instruments to gain musical skill strength because this piece is played in the thang phuen format, which can be realised to be a musical variation in different musical instruments. In addition, the musical characteristics of Phleng Ching Mu-long Chan Diao also play a key role in challenging the intelligent musical creation of the musician who plays it. Therefore, all interesting musical features have inspired the researcher to create the solo variation of the so u in Phleng Ching Mu-long Chan Diao. This solo variation was done based on the Thai classical music theory of composition by Montri Tramot (National Artist of Thailand) with the remaining unique musical characters of the Ching Mu-long Chan Diao. There are two methods of Thai musical composition used in this research: 1) the use of the klon (musical verse) found in the solo piece and 2) the musical techniques particularly used for the stringed instruments. Furthermore, the intention of the solo variation for the so u in Phleng Ching Mu-long Chan Diao is to enhance a group of musical skills, including the fluent use of the klon, the fingers, and a fiddle bow for the musician and to demonstrate the unique musical characteristics of phleng diao (solo).