The Sanjiang Dong Peasant Life Painting: Representation in the Context of Social Change in China

บทคัดย่อ

          The objectives of this study are 1) the representation of Sanjiang Dong peasant life paintings during the social construction period. 2) the representation of Sanjiang Dong peasant life paintings during the Reform and opening up period. 3) the representation of Sanjiang Dong peasant life paintings in the 21st century - 2023. The samples of the study are Liu Keqing, Yang Peishu, Yang Gongcun, Yang Gongguo, Chen Meimei, Wu Jianchun, and Rong Xuelian, who are the representative creators of peasant life paintings in social construction period, Reform and opening up up period, and the 21st century-2023 period. The research tools are Record book, drawing, Interview questionnaire, Tools for recording audio and video, namely cameras and camcorders.This paper adopts a qualitative research methodology, using literature collection and field survey as the focus . On the one hand, the Sanjiang Dong peasant life painting is excavated through literature to summarize the previous research. On the other hand, according to the research objectives of the thesis, field survey was conducted in Sanjiang Dong Autonomous County to collect relevant data.
          The results of the research are as follows: 1. Sanjiang Dong peasant life paintings represent "Political Propaganda" in the social construction period, which express the happy and optimistic life of peasants, the image of the main character and the ideal life in the countryside. 2. Sanjiang Dong peasant life paintings represent "Regional Folklore" in the Reform and opening up period. 3. During the period of reform and opening up, Sanjiang Dong peasant life paintings represent "regional folklore", expressing the native soil, the spirit of national culture and the aesthetics of folk art. 3. 21st century-2023 Sanjiang Dong peasant life paintings represent "cultural products", expressing for the sake of expression, expressing the native soil, the spirit of national culture and the aesthetics of folk art. 4. The aesthetics of folk art. Suggestions: 1. Provide a new model and a new research perspective for other folk art studies. 2. Provide reference for the government to formulate policies and measures for the development, promotion and support of Sanjiang Dong peasant life painting. 3. 3. Sanjiang Dong peasant life painting has high research value, attracting more experts and scholars to understand the Dong, Sanjiang County, peasants, etc., and bringing greater social influence to Sanjiang Dong peasant life painting.