The Development of Ecosystem and Talent Cultivation of Lei Opera
Main Article Content
บทคัดย่อ
The purposes of the research were to study The Development Ecosystem and Talent Cultivation of Lei Opera. The research methodology was qualitative research which takes the Lei Opera troupe organization as the main research object and adopts the field survey method to analyses and discuss the development and inheritance of Lei Opera.
The research findings form the interview and observations showed that in recent years, the performance money of Lei Opera is still rising, and the lei opera performance market has shown a good momentum of continuous development. However, in the booming state of the performance market, it is worrying that the overall artistic level of Lei Opera has not improved too much in recent years, especially the overall level of lei opera actors is obviously behind the three operas of Cantonese opera, Chaozhou opera and Han opera. The main reasons for its existence: 1. The overall level of Lei Opera actors is not high, mainly due to the lack of artistic accumulation of drama and the poor family of drama, which is the biggest congenital deficiency of a young drama.2. The nature of the troupe leads to the stability of the troupe team; 3. The degree of systematization and standardization of the musical art system and performing art is relatively low.
Article Details
References
Chen, Ch. (2010). On singing, reading, doing and playing in the performance of thunder
drama. Popular art 1(14), pp 46-47.
Chen, N. (2013). clowns-On the Role of clowns and in performance, Cultural Research
Forum 2(7), pp 221-223
Lovrick, P., & Siu, W.N. (2011). Chinese Opera: Images and Stories.UBC Press.
Niu, X. (2014). Pay special attention to the talent training to promote the revitalization of
opera- -the thinking on the training of opera talents. Charming China, 3(24), pp102-
Pan, Y. (2019). An analysis of the marketisation of local opera and the management system
of theatre troupes. Theatre House, (29), 37.
Song, F. (2015). My views on the cultivation of opera performance talents in the new era.
The World, (9), pp30-30.
Song, Z. (2016). On the present situation of local opera and its talent cultivation.
Theatre-house, 1(18), pp38-38.
Yu, X. (2012). Look at the characteristics of Chinese opera and the cultivation of traditional
opera talents. Drama Series, 3(2), pp 8-11.
Zhang, F (2005). History of Chinese Theatre Groups. Shenyang. Liaoning Education Publishing House.